The film “Hamnet” is hailed as one of the most remarkable cinematic achievements of 2025, capturing attention and stirring excitement for the Oscars. Set against the backdrop of England in 1596, this historical drama weaves a poignant tale of personal tragedy and a deep love story between the legendary playwright William Shakespeare and his devoted wife, Agnes. Paul Mescal delivers a captivating performance as William, while Jessie Buckley brings depth and nuance to the character of Agnes, creating a powerful on-screen partnership that leaves a lasting impact.
Agnes, most at home in the woods, uses herbs for healing and possesses an intuitive understanding of the world beyond her senses. This invites viewers to connect with her mysterious and caring nature, which has a magical quality. While this is not a spoiler, it’s important to know that the film centers on the death of their young son, Hamnet, in 1596, while they are living in England. He is 11 years old and succumbs to the Bubonic Plague has a magical quality about her. This is not a spoiler; yet, all should know that the film’s focus is the death of their young son, Hamnet, in 1596, while living in England. He’s 11 years old, and he dies from the Bubonic Plague.
The film delves deeply into the poignant themes of grief, art, and loss. It’s far from your average historical biopic; rather, it presents a raw and authentic portrayal of a family navigating the turbulent waters of mourning. Critics are singing the praises of the performances, especially Jessie Buckley’s, fervently calling for her nomination for an Academy Award for Best Actress. This is a portrayal that leaves a lasting impression and captures the essence of human emotion beautifully.
The film’s final act may divide audiences. Zhao integrates long-drawn-out sequences that give us the look and feel of a stage play. Yet they are essential for showing how grief can become art and how “Hamlet” might have been born of terrible pain, which slows the pacing. This slow pacing invites viewers to experience the emotional depth more fully, encouraging patience and reflection. Here, the staging creates a bridge between personal grief and theatrical expression, showing how Shakespeare might have tried to process and honor his son’s memory through his best expression, a performance.
Hollywood 360 Live Broadcast link will post after Saturday evening Jan, 24
Father Mother Sister Brother (R) ★★★
Director Jim Jarmusch’s film is divided into three parts, each exploring family roles and dynamics, which helps keep viewers engaged by highlighting its thematic structure. His dramedy ‘Father Mother Sister Brother,’ starring Adam Driver, Mayim Bialik, Cate Blanchett, and Tom Waits, follows a day in the lives of two siblings and their parents, providing a clear overview of the film’s focus on family relationships and individual roles.
The story unfolds in three parts, each set in a different location. The first segment takes place in a small town in America, as siblings Jeff (Adam Driver) and Emily (Mayim Bialik) travel to visit their father (Tom Waits), whom they haven’t seen since their mother’s funeral. During their car travel, we view the siblings’ concerns about their father’s mental health and the state of his affairs in general. Highlighting these setting shifts can make readers feel intrigued about how each location influences the characters’ emotional states.
Upon arrival at their dad’s home, their concerns are validated as the house is very messy with scattered papers and sheets covering old furniture, symbolizing neglect and disorder. The eager-to-please Jeff is anxious about his relationship with his father and, seeking praise, offers him some high-quality canned goods. Emily has unresolved anger toward her father for his lack of parental responsibility when they were growing up, as he remains reserved and secretive. He tells them he simply wants to enjoy their family time together, yet he dodges all their questions about his life, money issues, and the Rolex watch he wears on his wrist, which he claims is fake. The iconic watch reappears in the second segment as a symbol of wealth, emphasizing themes of materialism and superficiality.
The second segment, titled “Mother,” is matriarchal in focus as we meet Charlotte Rampling, their mother, who is not happy with the arrival of her two daughters, Timothea, Cate Blanchett, and Lilith, Vicky Krieps, for their annual tea gathering in her Dublin home. The gathering has become more of an obligation rather than a delightful occasion. Charlotte knows it will not take long for her girls, especially Lilith, whom she worries about the most, to make things uncomfortable.
The sisters are quite the opposite in their choice of style, illustrating their contrasting personalities. Timothea dresses very conservatively and enjoys simple pleasures, while Lilith sports pink hair and seeks to express a life of excess. She outright lies and fabricates stories, including pretending her friend Jeanette (Sarah Greene) is her Uber driver. We see the unspoken competition between the sisters, with Lilith’s white lies representing her desire for her mother’s love, akin to a tennis match where each point scored brings her closer to the trophy of maternal approval.
The third part is set in Paris, where the twins Skye, Indya Moore, and Billy, Luka Sabbat, attempt to find an aspect of finality before their parents’ place is sold due to back-owed payments. Scrutinizing a few of the remaining items left behind, they find fake IDs and their father’s Rolex. The reunited siblings discover new facts about their parents while reconnecting over memories that will forever keep their parents flourishing in their hearts. Yes, it’s the twins’ story that brings together all the various anxieties and emotional threads in “Father Mother Sister Brother.”
31th Critics Choice Awards Honors the Best in Film and TV
Yes, it was all smiles despite the cloudy skies and light sprinkles at the 31st Critics Choice Awards on January 4, 2026. I’ve covered the awards for the last eleven years, and this Chicago-based critic always looks forward to warmer weather during the event held at the Barker Hanger in Santa Monica, California.
Sarah Knight Adamson and Alicia Silverstone Critics Choice Awards 2026 (SKA photo credit)
Chelsea Handler hosted the awards as she has for the last several years; she is very comical and keeps the show hopping. She did mention Rob Reiner, who was murdered last month, as directed “The Princess Bride” and “Misery,” saying, “He’s the nicest guy in Hollywood.” Also, “Anyone who ever spent time with Rob Reiner knows that the minute you met him, he felt like an old friend when you were in a conversation with him,” she said. “He was present, he was focused, and he was funny, and he would ask you tons of questions, whether you were discussing politics or film or the latest beauty trends. He was all in after I texted him to thank him for dinner a few months ago. He texted me back and said, ‘We had so much fun with you last night. Thanks for explaining so much about plastic surgery; it was very edifying.” Of course, the room erupted in applause.
Our awards are determined by a group of over 500 broadcast critics and journalists from around the globe, although less than half attend the live show. This year I met Amanda Seyfried from the movie “The Housemaid,” we spoke about her role as well as the book on which it is based by Freida McFadden. Seyfried said, “At times it was difficult for myself and Sydney Sweeny to keep a straight face,” as they did have a great time working together despite their rival roles over Brandon Sklenar, who played her husband. I told her my book club read the book and really enjoyed the story, and her performance in the film.
“One Battle After Another,” starring Leonardo DiCaprio and co-starring Sean Penn and Teyana Taylor, earned the best-picture award. Directed by Paul Thomas Anderson, the film features DiCaprio as a burned-out revolutionary searching for his daughter, winning three awards in total, including honors for directing and adapted screenplay. “This is the best time I ever had making a movie, and I feel like it shows,” Anderson said.
Best Actor category was won by Timothée Chalamet for his portrayal of an ambitious table-tennis player in “Marty Supreme.” In his acceptance speech, he thanks his girlfriend Kylie Jenner, saying, “Thank you for our foundation. I love you. I couldn’t do this without you.” It was actually fun to see the couple together enjoying the evening as their bodyguards kept a close watch.
Critics_Choice_Getty_Images_2026
“Hamnet’s” Jessie Buckley was favored to win best actress, and it was wonderful to see her accept the award, as she plays William Shakespeare’s wife. Buckley expressed her gratitude for playing a character that is often overlooked due to the popularity of her famous husband.
She was astounded as she took the stage, “This is intense!” Buckley said. She gave a heartfelt speech, telling co-star Paul Mescal, “You’re a giant of the heart, and thank you so much for making me a little more human,” and adding, “I could drink you like water,” noting his impact on her performance and the industry. She also thanked her fellow nominees and everyone involved in the film, emphasizing the privilege of creating art.
Other major film prizes went to Amy Madigan, the supporting actress winner for “Weapons,” and Jacob Elordi, the supporting actor winner for “Frankenstein.” Guillermo del Toro’s monster movie also picked up awards for costumes and production design. Ryan Coogler’s vampire drama, “Sinners,” won for score, original screenplay, and best young actor, Miles Caton.
The complete list of Critics Choice winners:
Film
Best Picture
“One Battle After Another”
Best Actor
Timothée Chalamet, “Marty Supreme”
Best Actress
Jessie Buckley, “Hamnet”
Best Supporting Actor
Jacob Elordi, “Frankenstein”
Best Supporting Actress
Amy Madigan, “Weapons”
Best Young Actor or Actress
Miles Caton, “Sinners”
Best Director
Paul Thomas Anderson, “One Battle After Another”
Best Original Screenplay
Ryan Coogler, “Sinners”
Best Adapted Screenplay
Paul Thomas Anderson, “One Battle After Another”
Best Casting and Ensemble
Francine Maisler, “Sinners”
Best Cinematography
Adolpho Veloso, “Train Dreams”
Best Production Design
“Frankenstein”
Best Editing
Stephen Mirrione, “F1: The Movie”
Best Costume Design
“Frankenstein”
Best Hair and Makeup
“Frankenstein”
Best Visual Effects
“Avatar: Fire and Ash”
Best Stunt Design
“Mission: Impossible — The Final Reckoning”
Best Animated Feature
“KPop Demon Hunters”
Best Comedy
“The Naked Gun”
Best Foreign Language Film
“The Secret Agent”
Best Song
“Golden,” “KPop Demon Hunters”
Best Score
Ludwig Goransson, “Sinners”
Best Sound
“F1: The Movie”
Television
Best Drama Series
“The Pitt”
Best Actor, Drama Series
Noah Wyle, “The Pitt”
Best Actress, Drama Series
Rhea Seehorn, “Pluribus”
Best Supporting Actor, Drama Series
Tramell Tillman, “Severance”
Best Supporting Actress, Drama Series
Katherine LaNasa, “The Pitt”
Best Comedy Series
“The Studio”
Best Actor, Comedy Series
Seth Rogen, “The Studio”
Best Actress, Comedy Series
Jean Smart, “Hacks”
Best Supporting Actor, Comedy Series
Ike Barinholtz, “The Studio”
Best Supporting Actress, Comedy Series
Janelle James, “Abbott Elementary”
Best Limited Series
“Adolescence”
Best TV Movie
“Bridget Jones: Mad About the Boy”
Best Actor, Limited Series or TV Movie
Stephen Graham, “Adolescence”
Best Actress, Limited Series or TV Movie
Sarah Snook, “All Her Fault”
Best Supporting Actor, Limited Series or TV Movie
Owen Cooper, “Adolescence”
Best Supporting Actress, Limited Series or TV Movie
Watch the 31st Critics Choice Awards Live on E and USA
SANTA MONICA, CALIFORNIA – FEBRUARY 07: Guests attend the 30th Annual Critics Choice Awards at Barker Hangar on February 07, 2025 in Santa Monica, California. (Photo by Kevin Winter/Getty Images for Critics Choice Association)
The 31st annual Critics’ Choice Awards, hosted by Chelsea Handler, will air live on both coasts from 7 p.m. ET/4 p.m. PT to 10 p.m. ET/7 p.m. PT on Sunday, Jan. 4, 2026, on E! and USA networks. The star-studded show will be held at the Barker Hangar in Santa Monica and will continue its combined film and television awards format, honoring the best in cinematic, televised, and streaming achievement.
The Critics Choice Awards are presented annually to honor the finest in cinematic and television achievement. Recognized as a leading indicator for Oscar nominations, this event builds anticipation for the awards season. The 31st annual Critics Choice Awards show will be executive-produced by Bob Bain Productions and Berlin Entertainment. Dan Black represents the Critics Choice Awards at Greenberg Traurig, LLP.
Host Chelsea Handler; Attending Nominees Adam Brody, Adam Sandler, Adam Scott, Adolpho Veloso, Akiva Schaffer, Al Nelson, Alex Graves, Alex Gregory, Alex Woo, Alexander Skarsgård, Alexandre Desplat, Alice Felton, Alicia Silverstone, Aliyah Mastin, Allison Janney, Amanda Marsalis, Amanda Seyfried, Amy Madigan, Amy Pascal, Andy Gill, Andy Jurgensen, Anthony Katagas, Arden Cho, Ariana Grande, Asher Grodman, Ashley Walters, Ato Essandoh, Audrey Nuna, Austin Winsberg, Autumn Durald Arkapaw, Babou Ceesay, Bella Ramsey, Benicio del Toro, Benny Burtt, Bernard Derriman, Bernard Telsey, Billy Bob Thornton, Blake Slatkin, Brandon Proctor, Brian Tyree Henry, Brian Machleit, Brian Mendoza, Britt Lower, Bruce Eric Kaplan, Bryan Andrews, Camila Perez, Carl Clemons-Hopkins, Caroline Baron, Carrie Preston, Cary Christopher, Cassidy Freeman, Charlie Hunnam, Chase Infiniti, Chase Sui Wonders, Chloé Zhao, Chris Appelhans, Chris Perfetti, Chris Welcker, Christine Tremarco, Christopher Scarabosio, Claudio Miranda, Clint Bentley, Craig Dolby, Craig Robinson, Damian Marcano, Dan Erickson, Dan Gilroy, Dan Laustsen, Dan O’Connor, Dana Gonzales, Dana Vasquez-Eberhardt, Danielle Brooks, David Alan Grier, David Heyman, David Rysdahl, David Taylor, David V. Butler, David Zucker, Debora Cahn, Deirdre Connolly, Delroy Lindo, Denée Benton, Diane Mercer, Diego Luna, Dolores Fonzi, Domee Shi, Domingo Corral, Ed Price, Edi Patterson, Ego Nwodim, EJAE, Eli Bush, Elle Fanning, Emilia Jones, Emilie Lesclaux, Emily Erotas, Emily Feller, Emily Korteweg, Emily Mortimer, Enrique Arrizon, Eric Leven, Erica Huggins, Erik Benson, Erin Doherty, Erin Foster, Eugenio Derbez, Eva Victor, Evan Goldberg, Everett Blunck, Felipe Pacheco, Félix de Givry, Francine Maisler, Frida Perez, Gareth John, Gary Powell, Gary Rizzo, Gigi Pritzker, Ginnifer Goodwin, Gordon Smith, Greg Kwedar, Gregg Taylor, Guillermo del Toro, Gwen Whittle, Hannah Einbinder, Hannah Walters, Henri Magalon, Henry Melcher, Ike Barinholtz, Inga Ibsdotter Lilleaas, Jackie Cohn, Jackie Tohn, Jacob Elordi, Jacobi Jupe, Jackson Spidell, Jafar Panahi, James Weaver, Janelle James, Janelle Momary-Neely, Janice Williams, Jared Bush, Jason Collins, Jean Smart, Jeff Frost, Jeff Goldblum, Jeff Trammell, Jen Statsky, Jenni Konner, Jennifer Venditti, Jeremiah Silva, Jess Rosenthal, Jessica Biel, Jessie Buckley, Ji-young Yoo, Jo Johnson, Joe Letteri, Joe Port, Joe Wiseman, Joel Edgerton, John Gilroy, John Hoberg, John Jude Schultz, John Mayer, Jon M. Chu, Jonathan Tolins, Jordan Tappis, José Antonio Garcia, Joseph Wright, Josh Safdie, Justine Lupe, Kaley Cuoco, Karolina Wydra, Kate Hawley, Katherine LaNasa, Kathy Bates, Keith Dawson, Ken Diaz, Keri Russell, Kevin Miller, Kim Rosenstock, Kirk Baxter, Kleber Mendonça Filho, Kristen Bell, Krys Marshall, Kyle Marvin, Laia Casanovas, Lawrence Bender, Lee Byung Hun, Leo Satkovich, Leonardo DiCaprio, Lisa Ann Walter, Liz Glotzer, Liza Marshall, Lucia Aniello, Luciane Buchanan, Luciano Bacheta, Ludwig Göransson, Lukasz Zal, Madeline Sharafian, Maggie Kang, Maïlys Vallade, Malgosia Turzanska, Marc Platt, Marcello Hernandez, Marin Ireland, Mark Roybal, Mark Ruffalo, Mark Sonnenblick, Mary Alice Drumm, Matthew Rhys, May Hong, Megan Stalter, Meghann Fahy, Mia Goth, Michael Angelo Covino, Michael Bauman, Michael B. Jordan, Michael Chernus, Michael Peña, Michael P. Shawver, Michelle Wong, Mike Fontaine, Mike Hill, Mike Makowsky, Miles Caton, Miles Dale, Natasha Lyonne, Nathan Crowley, Nathan Robitaille, Nic Gonda, Nick Offerman, Nicole Beharie, Nicole Brydon Bloom, Nikeah Forde, Nikki Boyer, Nina Gold, Nina Wolarsky, Nina Ye, Noah Hawley, Noah Wyle, Odessa A’zion, Oliver Laxe, Omar Miller, Oriol Maymó, Oscar Nuñez, Owen Cooper, Park Chan-wook, Patricia Arquette, Patrick Ball, Patrick Schumacker, Paul Mescal, Paul Tazewell, Paul Thomas Anderson, Paul W. Downs, Peter Huyck, Quinta Brunson, R. Scott Gemmill, Rachel Shane, Ramy Youssef, Rebecca Wisocky, Rei Ami, Regina Hall, Renate Reinsve, Rhea Seehorn, Richard Baneham, Richard Schwartz, Ro Donnelly, Robby Hoffman, Robert Harrington, Ron Schmidt, Ronald Bronstein, Rose Byrne, Rose McIver, Ruth E. Carter, Ryan Coogler, Sal Gentile, Salli Richardson-Whitfield, Sam Donovan, Sam Laybourne, Sam Racanelli, Sanne Wohlenberg, Sara Foster, Sarah Jenks-Daly, Sarah Shahi, Sarah Snook, Scott Stuber, Sean Baker, Sean Evans, Seth Rogen, Sev Ohanian, Shannon Mahina Gorman, Shawn Hatosy, Sherryl Clark, Sheryl Lee Ralph, Shih-Ching Tsou, Shunika Terry-Jennings, Siân Richards, Simon Chong, Skye P. Marshall, Sophia Lillis, Stellan Skarsgård, Stephane Ceretti, Stephen Dunlevy, Stephen Graham, Sterling K. Brown, Steve Boeddeker, Tamara Deverell, Te Ao O Hinepehinga, Ted Danson, Teyana Taylor, Thomas Pa’a Sibbett, Tiffany Little Canfield, Tim Baltz, Tim Hahn, Timothée Chalamet, Timothy Simons, Tom Pelphrey, Tony Cavalero, Tony Gennaro, Tony Villaflor, Tracey Cook, Tramell Tillman, Tyler James Williams, Ugo Bienvenu, Viridiana Lieberman, Wagner Moura, Will Tracy, William H. Macy, William Stanford Davis, Wood Harris, Wunmi Mosaku, Xavi Font, Yvett Merino, Zinzi Coogler, and many more.
While viewing the awe-inspiring world of Avatar sixteen years ago, and again in Avatar 2, you find yourself either captivated by the enchanting blue beings of Pandora or not. As for me, I’m totally fascinated by them and the intricacies of their vibrant biosphere—bring it on! I was especially thrilled to see Spider, played by Jack Champion, have such a major role in “Avatar: Fire and Ash,” especially after interviewing him at the Critics’ Choice Awards in 2022. Yes, it’s a very long movie, 3 hours and 16 minutes, although I saw it in 3D, which I would highly recommend.
Is “Avatar: Fire and Ash” for small children, the answer is, no? It’s rated PG-13 complete with swear words and obscene jesters that are inappropriate for kids under 13 years of age. Also, they would become confused with the multilabel story lines, at times it was a little challenging and frustrating for myself to switch between scenes. Although all is forgiven as the bottom line for me is that “Avatar: Fire and Ash” is a masterpiece. It has elements covered in a science fiction reality, as in theme, speculative concepts, imagination, characters, futuristic ideas, advanced technology, future settings, and altered realities. In my prior teaching days of teaching bright children, we taught kids how to think critically and creatively. Director James Cameron’s Avatar films are some of my favorites as he implements so much creativity into all aspects of them.
The Sully family is the central family of the Avatar franchise: Jake Sully (Sam Worthington), his Na’vi mate Neytiri (Zoe Saldaña), and their children Neteyam, Lo’ak, Tuk, their adoptive daughter Kiri, and human adopted son Spider (Miles Socorro). They form a blended and unique family on the fictional moon Pandora. It is mainly made up of gas, and scientists are actively looking for similar worlds. There are also floating mountains. It has gravity to keep Saturn’s narrow F Ring particles in line, though it also creates disturbances, featuring grooves, ridges, and a dusty surface. In contrast, the fictional Planet Pandora in Avatar has complex ecosystems, magnetic storms, and toxic air. The movie’s Pandora is also a lush, dangerous world orbiting a gas giant named Polyphemus.
Yes, the Sullys are still mourning the loss of their eldest son, Matteo, who died near the end of the second film. Neytiri and Jake try to carry on in the face of that loss, choosing anger and militant action as coping mechanisms. The other Sully children, Tuk and the adopted Kiri (Sigourney Weaver), along with the human named Spider (Jake Champion), grow and evolve with time. Kiri begins to explore her more profound connection to Eywa, the Goddess of Pandora, and the abilities granted to her, which, in turn, lead to Spider being able to breathe Pandoran air. This stunning revelation leads to a new conflict with the human colonizers, led by the repurposed Na’vi Quaritch. (Stephen Lang), joined by the savage, volcano-dwelling Mangkwan clan, as they race to discover how to save humanity to prevent Pandora’s exploitation for corporate gain.
Avatar: Fire and Ash is a masterpiece in its own right, despite being the third film in the series. If anything, the film will gain new audiences and continue to want more of the series. The breathtaking visuals and exhilarating action sequences keep the Pandora world engaging. This creative world sparks ideas in young and old to ponder and discuss. I have many questions for James Cameron if I meet him in the future, though for now I’m thankful these new ideas are out in the world, and who knows what others will create next. So yes, see Avatar: The Way of Water in a theater near you for a unique experience—my audience cheered and clapped at the ending, and that always makes me very happy.
I was very happy to meet and interview Jack Champion in Jan. of 2023.
Zoe Saldana as Neytiri te Tskaha Mo’at’ite Jake’s wife who left the Omaticaya, and joined the Metkayina.
Sam Worthington as Jake Sully, a former human who fell in love with Neytiri and befriended the Na’vi after becoming a part of the Avatar Program
Sigourney Weaver as Kiri te Suli Kìreysì’ite, the daughter of Dr. Grace Augustine’s Na’vi avatar, who was adopted by Jake and Neytiri
Jack Champion as Miles “Spider” Socorro, the teenaged son of Quaritch. He’s who rescued and adopted by Jake and Neytiri.
Stephen Lang as Colonel Miles Quaritch formerly a human military commander who led the forces of the RDA, the human organization colonizing Pandora.
Director: James Cameron
Jay Kelly (R) ★★★½
The Academy Award-winning director Noah Baumbach co-wrote the script for his comedy-drama film “Jay Kelly” with Emily Mortimer, who is also an actress. His film stars George Clooney as Jay, Kelly, the famous movie star, traveling through Tuscany, Italy, while having a midlife crisis. He feels he wasn’t a great father to his two girls, as he’s estranged from one daughter, played by Riley Keough, and upset by the silence of his youngest daughter, played by Grace Edwards.
Jay Kelly, feeling isolated among his staff, is portrayed by George Clooney. His manager, played by Adam Sandler, and publicist, Laura Dern, support his journey. After a heated argument with his college friend, Billy Crudup, Jay decides to visit his daughter and take a trip to Italy for his ‘Career Tribute,’ With the stunning countryside and villages adding to the film’s appeal. It’s a visually captivating movie worth multiple viewing.
Baumbach also wrote a part for his famous wife, Greta Gerwig, of “Barbie” fame, as she plays Sandler’s wife in the movie. The film grows especially strong in the third act when Kelly reunites with his estranged father, played by the very memorable Stacy Keech, as he begins to realize just how empty his life truly is.Focusing on this pivotal moment can evoke curiosity about the story’s resolution.
Noah Baumbach’s Jay Kelly is made-to-order for George Clooney, as he’s one of the few modern stars who has maintained a strong aura and mystique. His old-school charm, reminiscent of Cary Grant or Paul Newman, is what makes Jay Kelly resonate so well with audiences.
Adam Sandler as Ron, his long-time manager, treats his clients like family, affectionately calling them “puppy,” just as he does with his own kids. To Ron, Jay is family, but does Kelly feel the same way about him?
One part of the movie I especially loved is a reel of Kelly’s past films, which are actually Clooney’s past movies. Be sure to look out for that as it appears toward the end when the star is given a tribute at a film festival. The movie, at times, assesses his emptiness in terms of a movie star’s actual life, which is enlightening. The downside of the business is that Kelly has two daughters he rarely sees, a few ex-wives, and we are shown no real friends, other than employees who act as a surrogate family. This highlights his personal struggles, helping the audience feel more empathetic towards his character.
LOS ANGELES, CALIFORNIA – NOVEMBER 11: George Clooney attends Netflix’s “Jay Kelly” Los Angeles premiere at The Egyptian Theatre Hollywood on November 11, 2025 in Los Angeles, California. (Photo by Emma McIntyre/Getty Images for Netflix)
He initially seems like a good guy, yet Kelly’s encounter with an old colleague from whom he once stole a career-making role opens the floodgates of the movie. The former friend, played magnificently by Billy Crudup, appears in a great scene in which they are mostly friendly. Yet, it quickly goes terribly off-center, sending Kelly into a midlife crisis. Next, we see him on a train to Paris, hoping to reconnect with his youngest daughter (Grace Edwards) and all his close employees. This progression emphasizes Kelly’s complex character arc, making his struggles more compelling for viewers.
Clooney scores big-time as he upholds our sympathy for Jay. His nuanced performance keeps viewers invested in his character’s struggles. As he’s not a bad person, he has faults like most, particularly in not developing relationships with others outside his acting career. As a long-time fan of George Clooney, I appreciated the risks he took in making the film and the rare look he’s given his devoted fans into a true movie star’s life. Highlighting Clooney’s acting helps maintain reader interest and reinforces his appeal.
Despite his flaws, he is not portrayed as a bad person—just someone who feels empty. He has dedicated so much time to his work that he hasn’t built a life for himself outside of it, which particularly frustrates his oldest daughter, played by Riley Keough in a small but impactful role.
As a film critic in my seventieth year, I have to say that George Clooney is at the top of my list of actors I genuinely admire and enjoy viewing their work. Here, it’s especially satisfying because he’s actually a famous icon in the business he’s portraying. On a side note, I have stayed in Lake Como, Italy, near his villa, and yes, it’s true he walks and sometimes jogs along the lakefront as my friend saw him early one morning a few years ago.
DIRECTOR: Noah Baumbach
WRITERS: Noah Baumbach and Emily Mortimer
PRODUCERS: David Heyman, Amy Pascal, Noah Baumbach
CAST: George Clooney, Adam Sandler, Laura Dern, Billy Crudup, Grace Edwards, Stacy Keach, Riley Keough, Emily Mortimer, Patrick Wilson, Nicôle Lecky, Thaddea Graham, Jim Broadbent, Eve Hewson, Alba Rohrwacher, Lenny Henry, Josh Hamilton, Greta Gerwig
Hollywood 360 Radio Review will post after this Saturday after broadcast.
Zootopia 2 (PG) ★★★★
The animated movie “Zootopia 2” is an animated buddy- police officer movie that’s breaking box-office records. Opening with the highest global animated opening of all time $500.59 million dollars. Jason Bateman reprises his role as Nick the Fox and Ginnifer Goodwin as Judy the Bunny. This oddball team teaches us that despite ‘the natural order’ of predator and prey, as these two work together to help each other. “Zootopia 2” delivers the humor and charm of the first movie and so much more.
It has been nine years since “Zootopia” charmed audiences and received an Academy Award nomination in 2017 for Best Animated Feature Film. Today, both adults and children are flocking to theaters to see this delightful and humorous film, which promotes kind-hearted themes of compassion for others. I greatly appreciate movies that convey these messages, and as the box office results show, many viewers around the world do as well.
For the 2026 Golden Globe Awards, “Zootopia 2” has been nominated for Best Motion Picture – Animated, as well as the new category, Cinematic and Box Office Achievement. This category celebrates the film’s massive commercial success alongside its critical acclaim, and voters have expressed their delight with the blockbuster sequel.
As the ‘nature’ story goes, Nick is a scoundrel fox while Judy, the “dumb bunny,” is actually an intelligent rabbit, and he’s a severely loyal pack animal. The vital link to their appeal is their yin-and-yang demeanor. This duo is fun to watch, as the writers subtly remind us of Judy’s commitment to justice, and Nick has a breezy charm and a hint of pessimism. Although Judy is committed to her mission, she relies on Nick’s street smarts to help her succeed.
Mayor Bellwether (Jenny Slate) has been removed from office, and the story delves into the shady history of Zootopia during the Zootennial celebration. One of their escapades involves chasing down a tip about a customs official, and they uncover a plot to steal a historical journal detailing the invention of the weather walls. As they learn more about Zootopia’s history, they determine the real reason reptiles and snakes were banished and sent underground. Also, a new plan by wealthy developers, the Lynxley family, to relocate animal communities while expanding their chilly Tundraland.
Yes, I enjoyed “Zootopia 2” and can highly recommend it, as it’s playing in theaters now.
The comedy-drama film “Rental Family” starring Brendan Fraser combines heartfelt moments with lighthearted humor, making it appealing to fans of both genres. Fraser, an actor living in Japan, plays a character who deeply impacts people’s lives. Here, a Japanese girl is told that her long-lost ‘white’ biological father wants to meet her. Fraser is the right age and fits the role of a relatable ‘white dude.’ I was surprised to learn that this service actually exists in Japan and remains popular today, adding authenticity to the story.
Japanese filmmaker Hikari and her cowriter Stephen Blahut create authentic characters, each with their own concerns and detailed agendas, who work through a storyline that is methodically enchanting. The film is both hilarious and impactful, showcasing significant changes that make for an enjoyable experience for everyone.
Having lived in Japan for seven years now, Phillip (Fraser) has lived in Japan for seven years and has no plans to move back to America. His acting career was stalled after a few silly TV advertisements. Meeting Tada (Hira), who runs Rental Family Inc., along with colleagues Aiko (Yamamoto) and Kota (Bun), changes his life. His jobs vary as a groom at a wedding, a journalist interviewing an acting legend (Emoto) who has dementia, and lastly as a father to the bright young girl Mia (Gorman), who thinks he’s really her long-lost dad. Phillip, being Phillip, can’t help but get involved with his clients, as he actually cares about them and their well-being.
Personally, I believe that the key to a great film is the excellent writing along with the superb direction, as the actors are able to dive in and make the film their own. Here we root for Phillip as he’s navigating his live to help others. Yes, it’s simple kindness, although that’s not always easy or comes naturally to people. What we as viewers see is the transformative power of kindness. We also witness the soft pace, quiet moments with bits of reflection, and comedy.
Fraser has already won our hearts in his Academy Award-winning film “The Whale” (2022), in which he played an obese recluse, embarrassed by his size. Here we see another side to Fraser as the “token white guy” who simply is a nice, kind guy, with no hidden agenda other than to help others with their problems of a missing relative. Yes, this is Brendan Fraser at his best, giving it his all, and I truly enjoyed his remarkable character and performance.
The musical, fantasy film “Wicked: For Good” rated PG-13 is absolutely outstanding! I was truly captivated by its powerful messages of acceptance, the importance of following your heart, and showing empathy towards others. Another significant element of this film is that the screen time has been widened for all characters. The talented Jonathan Bailey, Fiyero steals both witches’ hearts, Elphaba (Cynthia Erivo) and Glinda (Ariana Grande), shines in his role, as does Jeff Goldblum as the Wizard of Oz. There is more passion and emotional heartbreak as Elphaba transforms into darker and more wicked ways in order to help everyone recognize that Glinda is indeed good.
The film radiates an abundance of passion and delves into darker themes, surpassing its predecessor in both depth and intensity. One of the stand out features are the dazzling set designs as they are over-the-top breath-takingly gorgeous! The talented Academy Award nominee director Jon M. Chu of “Crazy Rich Asians,” and “In the Heights” the film showcases his vision for both sets and the heartfelt storylines. However, his pacing does appear off with his numerous cut-aways to Elphaba. In particular, the Wicked Witch’s scenes tend to drag on as she broods excessively. Nevertheless, this flaw is overshadowed by the strong bond between the two main characters. Parents should be aware that this film may not be suitable for children, as the flying monkeys are much scarier than in the 1939 film.
For those who have not read the book, Wicked: The Life and Times of the Wicked Witch of the West by Gregory Maguire or have seen the stage musical Wicked by Stephen Schwartz and Winnie Holzman, here are some essential details as the movie is based on both. Maguire’s novel is a modernizing, adult-oriented perspective on the characters and universe from L. Frank Baum’s classic 1900 children’s novel, The Wonderful Wizard of Oz.
It’s inspiring to see the chemistry between Arianna Grande as the Good Witch and Cynthia Erivo as the Wicked Witch, highlighting their talent and passion for their roles. Both are talented singers and actors; here, they appear to truly love what they are performing. Together, they devise a plan to free the animals from OZ that are being held in cages and silenced. Fiyero goes along with this plan, with some reservations. Unbeknownst to Glinda, Fiyero developed an attraction to Elphaba when he, Elphaba, and Glinda (then known as Galinda) were all students at Shiz University. In the first “Wicked” movie, the school’s corrupt dean of sorcery studies, Madame Morrible (played by Michelle Yeoh), served as a mentor to Elphaba and chose Elphaba over Galinda/Glinda; they were given special training in sorcery. Madame Morrible, who is an ally of the Wizard of Oz, had an agenda to use Elphaba’s magical powers to increase the oppression of animals and any supporters of their cause.
Elphaba boldly and emphatically resisted this agenda, so the Wizard and Madame Morrible lied about her, calling her evil and harmful. The Wizard and Madame Morrible also gave Elphaba the nickname “the Wicked Witch of the West” and declared her an “enemy” of Oz. This smear campaign made the citizens of Oz turn against Elphaba, and there is literally a witch hunt for her.
Most of the supporting characters with significant speaking roles from the first “Wicked” movie return, including Glinda’s sycophantic sidekicks, Pfannee (played by Bowen Yang) and Shenshen (Bronwyn James). These comic-relief characters have less screen time in “Wicked: For Good,” but their return keeps familiar faces in focus. New characters like the Cowardly Lion (voiced by Colman Domingo) and Dorothy (Bethany Weaver) appear, with Dorothy in a non-speaking role, adding fresh elements to the story.
The first “Wicked” movie earned 10 Oscar nominations and won two, including Outstanding Costume Design and Outstanding Production Design. “Wicked: For Good” is poised to earn nominations in similar categories, with visual effects and cinematography surpassing those of the original. Highlighting these achievements helps build excitement and anticipation for the film’s quality. Yes, I can highly recommend you see “Wicked: For Good” in a theater near you.
Jeremy Allen White is fabulous in “Springsteen: Deliver Me from Nowhere,” although the script is very narrow, focusing on his loss of self and inner reflection of who Bruce really was, also the period when he wrote the album Nebraska—written and directed by Academy Award winner Scott Cooper of 2009’s “Crazy Heart” fame that garnered Jeff Bridges his Academy Award. He based the script on the 2023 book, Deliver Me from Nowhere by Warren Zanes, as well as some elements from Springsteen’s autobiography “Born to Run. Chronicling Springsteen’s personal and professional battles during the conception of his 1982 album “Nebraska.”
The main issue with this biographical film is that it focuses too much on Bruce Springsteen’s darker days, which might alienate viewers unfamiliar with his story. Instead of providing a balanced view, the film dives into a prolonged exploration of his struggles, which can become wearisome over its two-hour run time. The good news is that Jeremy Strong, portraying Springsteen’s manager, Jon delivers an Oscar-worthy performance. Additionally, Stephen Graham, known for his role in the Emmy-winning series “Adolescence,” plays Bruce’s father, is also excellent. He grapples with alcoholism, bipolar disorder, and mental illness. We also learn that Bruce endured emotional and physical abuse from his father, who not only beat him but also abused his wife, creating an atmosphere of fear in their household.
The film’s pace is meandering, even slow at times; we trapse through moments that shaped his life and the inspirations that formed Bruce Springsteen’s creative life, while concurrently portraying the indolence of being in a depressive state. Resolving all of these factors with an empathic touch is Landau, Bruce’s manager and friend. Honestly, I was thankful he had this guy in the corner, as depression can take deep turns very quickly. Yes, I can recommend this film, though be prepared for a different kind of biopic, as the film’s unique focus on the social and emotional aspects of Bruce’s life will keep you engaged and interested.
In full discloser, I sat next to Jeremy during a Critics Choice dinner when he was nominated for Best TV actor for “Shameless.”He’s a talented actor and I had no doubts that he would go one to star in film as well.
Sarah Knight Adamson and Jeremy Allen White (Critics Choice Dinner 2022).
The hilarious movie “Good Fortune,” starring Aziz Ansari, Keanu Reeves, Seth Rogen, and KeKe Palmer, is a comedy with a deeper message about people struggling to make ends meet. The movie has the theme of swapping places with another person, as in the 1988 movie “Vice Versa.” Remember the 11-year-old Fred Savage, who swaps places with his dad, a business executive. Here, the wealthy Seth Rogen and the struggling factory worker Aziz switch places, and, typically, all business, Keanu Reeves is his comical ‘Budget Guardian Angel.’
Lionsgate Photo
As most know, pure comedy movies are less common in Hollywood, and they rarely have a wide theatrical release. I can say that it was great to actually hear laughter in the theater! I truly miss that experience with an audience. During my screening, the laughter was nonstop and grew louder as the movie progressed. And to my surprise, a few people actually were clapping. The talk afterwards was all about Keanu as we know him mainly from his serious killing movies, John Wick.
The winner here is definitely Aziz Ansari, as he serves as writer, director, and actor. He plays Arj, a down-on-his-luck factory worker who is homeless and sleeps in a car. We see him taking his daily showers at the local gym, though he’s not showering because he just worked out; he genuinely needs to maintain healthy hygiene. The film shows us how difficult it is not to have money, and in this case, the James Baldwin quote “Anyone who has ever struggled with poverty knows how extremely expensive it is to be poor,” is very close to the truth of the downward spiral effect.
Also, I’m a huge fan of comedy and Seth Rogen, whom I met a few years ago while on vacation in LA When I met him, he asked if he could sit down awhile and speak with me, as he was on a break from filming “Platonic” with Rose Byrne. I asked him about his road trip movie with Barbara Streisand that was released on December 19, 2012, titled “The Guilt Trip.” I said, My brother is a huge Barbara Streisand fan and thanked him for making the movie. I also said, “That must have been an interesting trip.” He replied, “Ohhh yes indeed.”
The romantic comedy “Nobody Wants This” Season 2 will began streaming on Netflix on October 23, 2025. The series focuses on the relationship between Noah (played by Adam Brody), a rabbi, and Joanne (played by Kristen Bell), a nonbeliever. As they fall in love, they strive to navigate the challenges posed by their differing beliefs and professions.
In Season One, Joanne ultimately decided that, despite her feelings for Noah, she was not ready to convert to Judaism. This left Noah facing a difficult choice between their relationship and a position as head rabbi at Temple Chai. He ultimately chooses to be with Joanne. In Season 2, viewers will witness the obstacles they encounter as an interfaith couple. Additionally, the new season promises to explore more about Joanne’s sister’s character as well.
We see more of Joanne’s sister, Morgan, played by the excellent Justine Lupe, who represents the main source of Joanne’s insecurity and fear of being left behind as her relationship with Noah develops. This fear manifests in Morgan’s immaturity, a tendency to be toxic, and her inability to support Joanne’s new relationship, which she perceives as a threat to their codependent dynamic and the podcast they host together. The writing in the series is superb, as it explores every aspect of their relationship. Morgan’s feelings of jealousy are also addressed, portraying a natural human reaction.
As a fan of strong female roles in TV shows and movies, KristenBell’s portrayal of Joanne is a breath of fresh air. Her decisionto change her religion andherpursuit of her dreams despite her dependency on Morganare truly inspiring. The series’ exploration of love and relationships, especially when they are tested by opposing religious viewpoints, is both thought-provoking and engaging. I’m eagerly anticipating the next season of this excellent series.
The film “Hamnet” is hailed as one of the most remarkable cinematic achievements of 2025, capturing attention and stirring excitement for the Oscars. Set against the backdrop of England in 1596, this historical drama weaves a poignant tale of personal tragedy and a deep love story between the legendary playwright William Shakespeare and his devoted wife, Agnes. Paul Mescal delivers a captivating performance as William, while Jessie Buckley brings depth and nuance to the character of Agnes, creating a powerful on-screen partnership that leaves a lasting impact.
Agnes, most at home in the woods, uses herbs for healing and possesses an intuitive understanding of the world beyond her senses. This invites viewers to connect with her mysterious and caring nature, which has a magical quality. While this is not a spoiler, it’s important to know that the film centers on the death of their young son, Hamnet, in 1596, while they are living in England. He is 11 years old and succumbs to the Bubonic Plague has a magical quality about her. This is not a spoiler; yet, all should know that the film’s focus is the death of their young son, Hamnet, in 1596, while living in England. He’s 11 years old, and he dies from the Bubonic Plague.
The film delves deeply into the poignant themes of grief, art, and loss. It’s far from your average historical biopic; rather, it presents a raw and authentic portrayal of a family navigating the turbulent waters of mourning. Critics are singing the praises of the performances, especially Jessie Buckley’s, fervently calling for her nomination for an Academy Award for Best Actress. This is a portrayal that leaves a lasting impression and captures the essence of human emotion beautifully.
The film’s final act may divide audiences. Zhao integrates long-drawn-out sequences that give us the look and feel of a stage play. Yet they are essential for showing how grief can become art and how “Hamlet” might have been born of terrible pain, which slows the pacing. This slow pacing invites viewers to experience the emotional depth more fully, encouraging patience and reflection. Here, the staging creates a bridge between personal grief and theatrical expression, showing how Shakespeare might have tried to process and honor his son’s memory through his best expression, a performance.
Hollywood 360 Live Broadcast link will post after Saturday evening Jan, 24
Father Mother Sister Brother (R) ★★★
Director Jim Jarmusch’s film is divided into three parts, each exploring family roles and dynamics, which helps keep viewers engaged by highlighting its thematic structure. His dramedy ‘Father Mother Sister Brother,’ starring Adam Driver, Mayim Bialik, Cate Blanchett, and Tom Waits, follows a day in the lives of two siblings and their parents, providing a clear overview of the film’s focus on family relationships and individual roles.
The story unfolds in three parts, each set in a different location. The first segment takes place in a small town in America, as siblings Jeff (Adam Driver) and Emily (Mayim Bialik) travel to visit their father (Tom Waits), whom they haven’t seen since their mother’s funeral. During their car travel, we view the siblings’ concerns about their father’s mental health and the state of his affairs in general. Highlighting these setting shifts can make readers feel intrigued about how each location influences the characters’ emotional states.
Upon arrival at their dad’s home, their concerns are validated as the house is very messy with scattered papers and sheets covering old furniture, symbolizing neglect and disorder. The eager-to-please Jeff is anxious about his relationship with his father and, seeking praise, offers him some high-quality canned goods. Emily has unresolved anger toward her father for his lack of parental responsibility when they were growing up, as he remains reserved and secretive. He tells them he simply wants to enjoy their family time together, yet he dodges all their questions about his life, money issues, and the Rolex watch he wears on his wrist, which he claims is fake. The iconic watch reappears in the second segment as a symbol of wealth, emphasizing themes of materialism and superficiality.
The second segment, titled “Mother,” is matriarchal in focus as we meet Charlotte Rampling, their mother, who is not happy with the arrival of her two daughters, Timothea, Cate Blanchett, and Lilith, Vicky Krieps, for their annual tea gathering in her Dublin home. The gathering has become more of an obligation rather than a delightful occasion. Charlotte knows it will not take long for her girls, especially Lilith, whom she worries about the most, to make things uncomfortable.
The sisters are quite the opposite in their choice of style, illustrating their contrasting personalities. Timothea dresses very conservatively and enjoys simple pleasures, while Lilith sports pink hair and seeks to express a life of excess. She outright lies and fabricates stories, including pretending her friend Jeanette (Sarah Greene) is her Uber driver. We see the unspoken competition between the sisters, with Lilith’s white lies representing her desire for her mother’s love, akin to a tennis match where each point scored brings her closer to the trophy of maternal approval.
The third part is set in Paris, where the twins Skye, Indya Moore, and Billy, Luka Sabbat, attempt to find an aspect of finality before their parents’ place is sold due to back-owed payments. Scrutinizing a few of the remaining items left behind, they find fake IDs and their father’s Rolex. The reunited siblings discover new facts about their parents while reconnecting over memories that will forever keep their parents flourishing in their hearts. Yes, it’s the twins’ story that brings together all the various anxieties and emotional threads in “Father Mother Sister Brother.”
Watch the 31st Critics Choice Awards Live on E and USA
SANTA MONICA, CALIFORNIA – FEBRUARY 07: Guests attend the 30th Annual Critics Choice Awards at Barker Hangar on February 07, 2025 in Santa Monica, California. (Photo by Kevin Winter/Getty Images for Critics Choice Association)
The 31st annual Critics’ Choice Awards, hosted by Chelsea Handler, will air live on both coasts from 7 p.m. ET/4 p.m. PT to 10 p.m. ET/7 p.m. PT on Sunday, Jan. 4, 2026, on E! and USA networks. The star-studded show will be held at the Barker Hangar in Santa Monica and will continue its combined film and television awards format, honoring the best in cinematic, televised, and streaming achievement.
The Critics Choice Awards are presented annually to honor the finest in cinematic and television achievement. Recognized as a leading indicator for Oscar nominations, this event builds anticipation for the awards season. The 31st annual Critics Choice Awards show will be executive-produced by Bob Bain Productions and Berlin Entertainment. Dan Black represents the Critics Choice Awards at Greenberg Traurig, LLP.
Host Chelsea Handler; Attending Nominees Adam Brody, Adam Sandler, Adam Scott, Adolpho Veloso, Akiva Schaffer, Al Nelson, Alex Graves, Alex Gregory, Alex Woo, Alexander Skarsgård, Alexandre Desplat, Alice Felton, Alicia Silverstone, Aliyah Mastin, Allison Janney, Amanda Marsalis, Amanda Seyfried, Amy Madigan, Amy Pascal, Andy Gill, Andy Jurgensen, Anthony Katagas, Arden Cho, Ariana Grande, Asher Grodman, Ashley Walters, Ato Essandoh, Audrey Nuna, Austin Winsberg, Autumn Durald Arkapaw, Babou Ceesay, Bella Ramsey, Benicio del Toro, Benny Burtt, Bernard Derriman, Bernard Telsey, Billy Bob Thornton, Blake Slatkin, Brandon Proctor, Brian Tyree Henry, Brian Machleit, Brian Mendoza, Britt Lower, Bruce Eric Kaplan, Bryan Andrews, Camila Perez, Carl Clemons-Hopkins, Caroline Baron, Carrie Preston, Cary Christopher, Cassidy Freeman, Charlie Hunnam, Chase Infiniti, Chase Sui Wonders, Chloé Zhao, Chris Appelhans, Chris Perfetti, Chris Welcker, Christine Tremarco, Christopher Scarabosio, Claudio Miranda, Clint Bentley, Craig Dolby, Craig Robinson, Damian Marcano, Dan Erickson, Dan Gilroy, Dan Laustsen, Dan O’Connor, Dana Gonzales, Dana Vasquez-Eberhardt, Danielle Brooks, David Alan Grier, David Heyman, David Rysdahl, David Taylor, David V. Butler, David Zucker, Debora Cahn, Deirdre Connolly, Delroy Lindo, Denée Benton, Diane Mercer, Diego Luna, Dolores Fonzi, Domee Shi, Domingo Corral, Ed Price, Edi Patterson, Ego Nwodim, EJAE, Eli Bush, Elle Fanning, Emilia Jones, Emilie Lesclaux, Emily Erotas, Emily Feller, Emily Korteweg, Emily Mortimer, Enrique Arrizon, Eric Leven, Erica Huggins, Erik Benson, Erin Doherty, Erin Foster, Eugenio Derbez, Eva Victor, Evan Goldberg, Everett Blunck, Felipe Pacheco, Félix de Givry, Francine Maisler, Frida Perez, Gareth John, Gary Powell, Gary Rizzo, Gigi Pritzker, Ginnifer Goodwin, Gordon Smith, Greg Kwedar, Gregg Taylor, Guillermo del Toro, Gwen Whittle, Hannah Einbinder, Hannah Walters, Henri Magalon, Henry Melcher, Ike Barinholtz, Inga Ibsdotter Lilleaas, Jackie Cohn, Jackie Tohn, Jacob Elordi, Jacobi Jupe, Jackson Spidell, Jafar Panahi, James Weaver, Janelle James, Janelle Momary-Neely, Janice Williams, Jared Bush, Jason Collins, Jean Smart, Jeff Frost, Jeff Goldblum, Jeff Trammell, Jen Statsky, Jenni Konner, Jennifer Venditti, Jeremiah Silva, Jess Rosenthal, Jessica Biel, Jessie Buckley, Ji-young Yoo, Jo Johnson, Joe Letteri, Joe Port, Joe Wiseman, Joel Edgerton, John Gilroy, John Hoberg, John Jude Schultz, John Mayer, Jon M. Chu, Jonathan Tolins, Jordan Tappis, José Antonio Garcia, Joseph Wright, Josh Safdie, Justine Lupe, Kaley Cuoco, Karolina Wydra, Kate Hawley, Katherine LaNasa, Kathy Bates, Keith Dawson, Ken Diaz, Keri Russell, Kevin Miller, Kim Rosenstock, Kirk Baxter, Kleber Mendonça Filho, Kristen Bell, Krys Marshall, Kyle Marvin, Laia Casanovas, Lawrence Bender, Lee Byung Hun, Leo Satkovich, Leonardo DiCaprio, Lisa Ann Walter, Liz Glotzer, Liza Marshall, Lucia Aniello, Luciane Buchanan, Luciano Bacheta, Ludwig Göransson, Lukasz Zal, Madeline Sharafian, Maggie Kang, Maïlys Vallade, Malgosia Turzanska, Marc Platt, Marcello Hernandez, Marin Ireland, Mark Roybal, Mark Ruffalo, Mark Sonnenblick, Mary Alice Drumm, Matthew Rhys, May Hong, Megan Stalter, Meghann Fahy, Mia Goth, Michael Angelo Covino, Michael Bauman, Michael B. Jordan, Michael Chernus, Michael Peña, Michael P. Shawver, Michelle Wong, Mike Fontaine, Mike Hill, Mike Makowsky, Miles Caton, Miles Dale, Natasha Lyonne, Nathan Crowley, Nathan Robitaille, Nic Gonda, Nick Offerman, Nicole Beharie, Nicole Brydon Bloom, Nikeah Forde, Nikki Boyer, Nina Gold, Nina Wolarsky, Nina Ye, Noah Hawley, Noah Wyle, Odessa A’zion, Oliver Laxe, Omar Miller, Oriol Maymó, Oscar Nuñez, Owen Cooper, Park Chan-wook, Patricia Arquette, Patrick Ball, Patrick Schumacker, Paul Mescal, Paul Tazewell, Paul Thomas Anderson, Paul W. Downs, Peter Huyck, Quinta Brunson, R. Scott Gemmill, Rachel Shane, Ramy Youssef, Rebecca Wisocky, Rei Ami, Regina Hall, Renate Reinsve, Rhea Seehorn, Richard Baneham, Richard Schwartz, Ro Donnelly, Robby Hoffman, Robert Harrington, Ron Schmidt, Ronald Bronstein, Rose Byrne, Rose McIver, Ruth E. Carter, Ryan Coogler, Sal Gentile, Salli Richardson-Whitfield, Sam Donovan, Sam Laybourne, Sam Racanelli, Sanne Wohlenberg, Sara Foster, Sarah Jenks-Daly, Sarah Shahi, Sarah Snook, Scott Stuber, Sean Baker, Sean Evans, Seth Rogen, Sev Ohanian, Shannon Mahina Gorman, Shawn Hatosy, Sherryl Clark, Sheryl Lee Ralph, Shih-Ching Tsou, Shunika Terry-Jennings, Siân Richards, Simon Chong, Skye P. Marshall, Sophia Lillis, Stellan Skarsgård, Stephane Ceretti, Stephen Dunlevy, Stephen Graham, Sterling K. Brown, Steve Boeddeker, Tamara Deverell, Te Ao O Hinepehinga, Ted Danson, Teyana Taylor, Thomas Pa’a Sibbett, Tiffany Little Canfield, Tim Baltz, Tim Hahn, Timothée Chalamet, Timothy Simons, Tom Pelphrey, Tony Cavalero, Tony Gennaro, Tony Villaflor, Tracey Cook, Tramell Tillman, Tyler James Williams, Ugo Bienvenu, Viridiana Lieberman, Wagner Moura, Will Tracy, William H. Macy, William Stanford Davis, Wood Harris, Wunmi Mosaku, Xavi Font, Yvett Merino, Zinzi Coogler, and many more.
I always enjoy a movie based on a true story or person; in this case, a down-on-his-luck divorced US Army veteran, Jeffery Manchester, began stealing toys for his kids at his local Toys R Us store in Charlotte, North Carolina, in 1989. Nicknamed the ‘Roofman’ for entering through the roof tiles and robbing the store at night, the local police were definitely baffled.
Channing Tatum and Kirsten Dunst star in Paramount Pictures’ “ROOFMAN.”
What I also enjoy is watching Channing Tatum acting, as I met him in Chicago on behalf of his first major film, “Magic Mike.” He’s a fantastic actor to view on screen as he has a charisma about him as he totally takes on any role he plays. He’s able to instill an empathetic perspective on this character. Here, in one compelling scene, archival footage from 1989 entails a worker saying, “Well, he came into our McDonald’s and told us we had to go into the freezer and that we needed to wear our coats. I didn’t have a coat, so he took off his and gave it to me.” The Roofman then took the money bag, having been watching where they placed the money.
Channing Tatum stars in Paramount Pictures’ “ROOFMAN.”
Even though the ‘Roofman’ is a criminal, at times you can’t help but root for him as he’s trying to provide for his young daughter and twin boys. This is the Best movie I’ve seen this year! I also enjoyed watching Kirsten Durst; she plays an employee of Toys R Us and is the love interest of the Roofman. She’s a church going person who sings in the choir, and has two young daughters. The Roofman, who is infatuated with her, starts attending church with her as he watches her movements on the remote camera that he has control of in the upper level.
Yes, I know this sounds creepy, and the guy is really messed up, although he does fall for her and helps her with her daughters which is very endearing. As not to give the ending away, it’s a twist that will leave you utterly shocked. It’s common knowledge that he’s in jail for 45 years as he did use a gun in some of the robberies. You’ll also see the real Roofman on video as Channing did speak with him about his situation. Channing is quoted as saying, “The real-life Roofman robber Jeffrey Manchester is a ‘warm and optimistic’ person. He wants a second chance and to live a good life as a father.
Wide Variety of Winners at the 30th Critics Choice Awards posted to Roger Ebert
California’s sunshiny 70-degree weather set the tone for the 30th Critics Choice Awards held February 7 at Santa Monica Airport’s Barker Hanger, as huge smiles prevailed. In covering the awards for the last ten years, this Chicago-based critic always looks forward to the sunny, warm weather, although this year was the best as there was also an electric atmospheric vibe from talent.
SANTA MONICA, CALIFORNIA – FEBRUARY 07: Guests attend the 30th Annual Critics Choice Awards at Barker Hangar on February 07, 2025 in Santa Monica, California. (Photo by Kevin Winter/Getty Images for Critics Choice Association)
Streaming live on the E! channel, Chelsea Handler, the prior year’s host’s opening monologue was hysterical.
Jeff Goldblum “Wicked” (2024) Sarah Knight Adamson Photo Credit, February 8, 2025
Demi Moore “The Substance” (2024) Sarah Knight Adamson Photo Credit, February 8, 2025
Jesse Eisenberg “The Social Network” (2010), Actor, “A Real Pain” (2024) Writer, Director, Actor Sarah Knight Adamson Photo Credit, February 8, 2025
Ariana Grande a multi-platinum, Grammy Award-winning singer, songwriter and actress. “Wicked” (2024) Sarah Knight Adamson Photo Credit, February 8, 2025
Bowen Yang ‘Saturday Night Live’ cast member, “Wicked” Sarah Knight Adamson Photo Credit, February 8, 2025
Bowen Yang_Wicked_CCA_February_8_2025
Melissa Rauch ‘Night Court’ (2023) NBC Producer, Actress Sarah Knight Adamson Photo Credit, February 8, 2025
Karen Jankel, Daughter of Michael Bond Interview Paddington Bear
While in London last November 2024, I searched for the latest film releases, as the schedule differs from the US. It was a pleasant surprise to find that “Gladiator II” opened a week earlier than in the United States. However, the real thrill came with the early release of “Paddington in Peru” on November 3, almost three months ahead of the US schedule. The anticipation and surprise of these early releases added an extra layer of accomplishments to my trip, culminating in the joy of not only watching “Paddington in Peru” at the Curzon Theater in London but also being able to correspond with Karen Jankel, who lives in London and is the daughter of Michael Bond, the beloved author of over 150 Paddington stories.
Do you see my Paddington in the photo?
Karen was two years old when her father published the first Paddington Bear book. She wrote books with her father and continued the business after his death in 2017. In my interview with Karen, she sheds light on how Paddington was an integral part of her family and continues to be.
On a side note, I’m a former teacher in Naperville, Illinois, who worked for 27 years. I wrote the curriculum for the district teachers, including myself. One of the most rewarding units was a four-week study of the Amazon Basin, where Peru is located. As you might assume, I was delighted to speak with Karen about the movie “Paddington in Peru.”
My Zoom interview with Karen Jankel.
Sarah K. Adamson: Hi Karen, I want to thank you for speaking with me today on behalf of Roger Ebert. com for the movie “Paddington in Peru.” As a former teacher. I was happy that the film actually taught children about the Peruvian Amazon. I read that you visited the sets in Peru. Please tell me a little about where you were and what you experienced.
Karen Jankel: Yes, hello! Way back in 2010 or 2012, when I went, nobody there knew Paddington at all. The only stuffed bears were a few being sold at the airport in Lima, but it was very special actually stepping out onto the runway and arriving in Peru for the first time. I kind of felt it was almost like going home, and yet I’d never been before.
I read that when you visited the film sets, they brought in objects to make the sets, which was interesting.
Yes, for the film, they brought in more trees for Aunt Lucy’s home, and I thought that was great. In the UK, the film set was extraordinary. It was a huge farm, and they turned it into the darkest Peru and they brought in over 50,000 trees. The sets were three-dimensional. They had a rope bridge that went over a stream and to Aunt Lucy’s cabin, and you had to climb over the rope bridge, which was amazing.
I honestly had no idea how popular Paddington Bear is in London and actually the United Kingdom. Please tell me your experience with the Queen’s Jubilee in 2022 and the wonderful video of Paddington joining the Queen for tea.
Yes, that was really special. I wasn’t personally involved in making it happen, but they did tell me about it three months ahead of time before they’d even done the filming. They told me that it was going to happen; I got called, it was the day of our daughter’s wedding, a pretty special day, so I can remember the date. It was March 19. They rang me and said, “We’re going to do this, but you can’t tell anybody because it’s absolutely top secret. Not only did I not tell anybody, but the Queen herself didn’t tell her family either. So, it was a complete surprise to them, too. And everybody kept it under wraps, but it was absolutely amazing. I mean, it’s so special. So special and so sad. My dad never got to see it, of course, because he died in 2017. This happened five years later.
I believe you said that Paddington was a part of your family growing up. I was wondering about that. Did you have a lot of different Paddington bears? I know the bear changed over the years with different designs and other touches.
The original bear that inspired my father to write the stories was one that he bought as a last-minute Christmas present for my mother. It was Christmas Eve, 1956, when he bought the bear. He took him home, and they sat him on the mantlepiece in their tiny one-room flat in Arville Gardens, quite close to Notting Hill.
My father was then working as a television cameraman for the BBC. He’d always wanted to write. My parents had this bear, and it just inspired him. He began writing and named him Paddington, and he wrote the first story. [The family lived near Paddington Station at the time.]
That was how the original bear came into our lives. I was born in August 1958, exactly two months to the day before the first book was published. By the time I was born and became aware of my surroundings, we had a bear that lived with us, and he still lives with me.
The bear is of my father’s imagination, which goes into the book, which is the kind of a real bear. It’s very hard to explain, as Paddington was very much a part of the family from day one for me. So, I grew up with this extra member of the family. My father said it was a bit like when I married my husband, as there were now three people. I keep saying that my husband feels the same way about our marriage.
But he (Paddington) is very, very real to me. When the first film was made, the very first image I saw of the bear in the film, and I was with my father at the time, it was a still image. We went into a screening room, and there was this big image of Paddington, no hat, no duffle coat, just the bear on the screen that they created. It was so moving because it was like meeting a long-lost member of the family. He was real to me, yet I’d never actually seen him. Does that make sense?
Yes, it does.
It was terribly special, actually. And because physically, they’ve got the bear absolutely right. He just looks like the Paddington that I saw in my own mind.
Oh, thank you for that. That’s such a wonderful story. What life lessons did you learn from your father, Michael Bond, the author of the Paddington Stories?
Well, the kind of lessons that Paddington himself teaches. My father was a very polite man and also very kind. And, of course, Paddington is as well. He taught me that you should always be kind to other people and that you should always think of others. My father was one who thought of others, and I think that’s what Paddington does in his own way. So, my father taught me those life lessons, and so, therefore Paddington did really, because Paddington was an extension of my father.
Can you tell us about writing a Paddington book with your father?
There are two picture books that we wrote together. The first one, “Paddington Goes to Hospital,” and we collaborated at the time on a book. The idea behind that is that I spent the first few years of my life, more or less, in a hospital with a hip condition. So, I had a lot of experience at hospitals. It was a nice story to do, and it is a lighthearted way of telling children about when you go to the hospital.
After he died, our agent at the time found an old manuscript, which we’d written many years before as a short story to go into a magazine for the charity. So I then expanded it and slightly rewrote it to turn into “Paddington’s Easter Egg Hunt,” the next one.
When we wrote together, one of us would write something, either the outline, and then send it to the other one the next; then the other one would fill it in. We’d do it backward and forward.
That’s wonderful. I was wondering a little bit about the origin of Paddington’s tag. ‘Please look after this bear, thank you.’ I was researching, and one idea was that it came from the children of London families during World War II who needed to send their children out to different farms with just a luggage tag stating their name, school, and evacuation authority. Is part of the story, the connection with London?
Yes, that’s actually true, and it was the combination of refugees coming from overseas and evacuees. The evacuees were ones you mentioned who went out to live to stay away from London or stay away from the cities, and they did. They all had presumably their names and addresses or their details on a label that they had hanging. And then they had their belongings in small bags in those days, probably actually cardboard, but they looked like leathers or cardboard suiters with old-fashioned suitcases.
It was that memory, my father’s memories that inspired him to have Paddington with his suitcase; his suitcase is so darling. And then his secret compartment, of course, in his suitcase, where he keeps all his really important papers.
There’s something endearing about that bear. Do you find that?
Oh, absolutely. He’s good and he means well, and there’s just something very appealing about him. He’s very recognizable, of course, with his hat and his duffle coat, and there have been many different interpretations of him over the years by different artists. But if you put him in his hat and duffle coat, you instantly know it’s Paddington.
I just love Olivia Coleman’s performance in the film. She’s absolutely brilliant. I think every actor who’s been asked to be a part of the Paddington films has sort of jumped at the chance. In talking about the second movie, both Hugh Grant and Nicole Kidman are huge stars, and the film actually showcases them.
I’ve been in a press conference with Hugh Grant, and I think Paddington does attract lovely people and funny people. He does that, and over the years, as I was running the business. All the people that we worked with were just lovely people. There’s something about him that just attracts those qualities.
I was also very surprised in London to find out there was a Paddington Bear fan club Facebook group with over 90,000 people. I joined that and was vetted. I couldn’t believe all the women. It’s primarilywomen with pictures of themselves with Paddington. I don’t know if you’ve seen that. Have you done anything with that group?
Well, I’ve joined anonymously, I have to say.
Oh, yay. You get to see all the wonderful photos.
I also find it very interesting to see what people are saying.
Is there anything you’d like to say about Paddington?
I feel incredibly fortunate that he’s a part of my life and continues to be. And through him, although my father died—well, gosh, this year it’ll be eight years—he’s still very much there because of Paddington, which is wonderful. I think that is something that I feel incredibly fortunate to have him as part of my life.
Oh, thank you so much. And I wish you the best of luck with the film.
*I spoke with Karen Jankel on January 31, 2025. My time in Hawaii was 7:00 AM, and Karen’s in London was 5:00 PM
31th Critics Choice Awards Honors the Best in Film and TV
Yes, it was all smiles despite the cloudy skies and light sprinkles at the 31st Critics Choice Awards on January 4, 2026. I’ve covered the awards for the last eleven years, and this Chicago-based critic always looks forward to warmer weather during the event held at the Barker Hanger in Santa Monica, California.
Sarah Knight Adamson and Alicia Silverstone Critics Choice Awards 2026 (SKA photo credit)
Chelsea Handler hosted the awards as she has for the last several years; she is very comical and keeps the show hopping. She did mention Rob Reiner, who was murdered last month, as directed “The Princess Bride” and “Misery,” saying, “He’s the nicest guy in Hollywood.” Also, “Anyone who ever spent time with Rob Reiner knows that the minute you met him, he felt like an old friend when you were in a conversation with him,” she said. “He was present, he was focused, and he was funny, and he would ask you tons of questions, whether you were discussing politics or film or the latest beauty trends. He was all in after I texted him to thank him for dinner a few months ago. He texted me back and said, ‘We had so much fun with you last night. Thanks for explaining so much about plastic surgery; it was very edifying.” Of course, the room erupted in applause.
Our awards are determined by a group of over 500 broadcast critics and journalists from around the globe, although less than half attend the live show. This year I met Amanda Seyfried from the movie “The Housemaid,” we spoke about her role as well as the book on which it is based by Freida McFadden. Seyfried said, “At times it was difficult for myself and Sydney Sweeny to keep a straight face,” as they did have a great time working together despite their rival roles over Brandon Sklenar, who played her husband. I told her my book club read the book and really enjoyed the story, and her performance in the film.
“One Battle After Another,” starring Leonardo DiCaprio and co-starring Sean Penn and Teyana Taylor, earned the best-picture award. Directed by Paul Thomas Anderson, the film features DiCaprio as a burned-out revolutionary searching for his daughter, winning three awards in total, including honors for directing and adapted screenplay. “This is the best time I ever had making a movie, and I feel like it shows,” Anderson said.
Best Actor category was won by Timothée Chalamet for his portrayal of an ambitious table-tennis player in “Marty Supreme.” In his acceptance speech, he thanks his girlfriend Kylie Jenner, saying, “Thank you for our foundation. I love you. I couldn’t do this without you.” It was actually fun to see the couple together enjoying the evening as their bodyguards kept a close watch.
Critics_Choice_Getty_Images_2026
“Hamnet’s” Jessie Buckley was favored to win best actress, and it was wonderful to see her accept the award, as she plays William Shakespeare’s wife. Buckley expressed her gratitude for playing a character that is often overlooked due to the popularity of her famous husband.
She was astounded as she took the stage, “This is intense!” Buckley said. She gave a heartfelt speech, telling co-star Paul Mescal, “You’re a giant of the heart, and thank you so much for making me a little more human,” and adding, “I could drink you like water,” noting his impact on her performance and the industry. She also thanked her fellow nominees and everyone involved in the film, emphasizing the privilege of creating art.
Other major film prizes went to Amy Madigan, the supporting actress winner for “Weapons,” and Jacob Elordi, the supporting actor winner for “Frankenstein.” Guillermo del Toro’s monster movie also picked up awards for costumes and production design. Ryan Coogler’s vampire drama, “Sinners,” won for score, original screenplay, and best young actor, Miles Caton.
The complete list of Critics Choice winners:
Film
Best Picture
“One Battle After Another”
Best Actor
Timothée Chalamet, “Marty Supreme”
Best Actress
Jessie Buckley, “Hamnet”
Best Supporting Actor
Jacob Elordi, “Frankenstein”
Best Supporting Actress
Amy Madigan, “Weapons”
Best Young Actor or Actress
Miles Caton, “Sinners”
Best Director
Paul Thomas Anderson, “One Battle After Another”
Best Original Screenplay
Ryan Coogler, “Sinners”
Best Adapted Screenplay
Paul Thomas Anderson, “One Battle After Another”
Best Casting and Ensemble
Francine Maisler, “Sinners”
Best Cinematography
Adolpho Veloso, “Train Dreams”
Best Production Design
“Frankenstein”
Best Editing
Stephen Mirrione, “F1: The Movie”
Best Costume Design
“Frankenstein”
Best Hair and Makeup
“Frankenstein”
Best Visual Effects
“Avatar: Fire and Ash”
Best Stunt Design
“Mission: Impossible — The Final Reckoning”
Best Animated Feature
“KPop Demon Hunters”
Best Comedy
“The Naked Gun”
Best Foreign Language Film
“The Secret Agent”
Best Song
“Golden,” “KPop Demon Hunters”
Best Score
Ludwig Goransson, “Sinners”
Best Sound
“F1: The Movie”
Television
Best Drama Series
“The Pitt”
Best Actor, Drama Series
Noah Wyle, “The Pitt”
Best Actress, Drama Series
Rhea Seehorn, “Pluribus”
Best Supporting Actor, Drama Series
Tramell Tillman, “Severance”
Best Supporting Actress, Drama Series
Katherine LaNasa, “The Pitt”
Best Comedy Series
“The Studio”
Best Actor, Comedy Series
Seth Rogen, “The Studio”
Best Actress, Comedy Series
Jean Smart, “Hacks”
Best Supporting Actor, Comedy Series
Ike Barinholtz, “The Studio”
Best Supporting Actress, Comedy Series
Janelle James, “Abbott Elementary”
Best Limited Series
“Adolescence”
Best TV Movie
“Bridget Jones: Mad About the Boy”
Best Actor, Limited Series or TV Movie
Stephen Graham, “Adolescence”
Best Actress, Limited Series or TV Movie
Sarah Snook, “All Her Fault”
Best Supporting Actor, Limited Series or TV Movie
Owen Cooper, “Adolescence”
Best Supporting Actress, Limited Series or TV Movie
Watch the 31st Critics Choice Awards Live on E and USA
SANTA MONICA, CALIFORNIA – FEBRUARY 07: Guests attend the 30th Annual Critics Choice Awards at Barker Hangar on February 07, 2025 in Santa Monica, California. (Photo by Kevin Winter/Getty Images for Critics Choice Association)
The 31st annual Critics’ Choice Awards, hosted by Chelsea Handler, will air live on both coasts from 7 p.m. ET/4 p.m. PT to 10 p.m. ET/7 p.m. PT on Sunday, Jan. 4, 2026, on E! and USA networks. The star-studded show will be held at the Barker Hangar in Santa Monica and will continue its combined film and television awards format, honoring the best in cinematic, televised, and streaming achievement.
The Critics Choice Awards are presented annually to honor the finest in cinematic and television achievement. Recognized as a leading indicator for Oscar nominations, this event builds anticipation for the awards season. The 31st annual Critics Choice Awards show will be executive-produced by Bob Bain Productions and Berlin Entertainment. Dan Black represents the Critics Choice Awards at Greenberg Traurig, LLP.
Host Chelsea Handler; Attending Nominees Adam Brody, Adam Sandler, Adam Scott, Adolpho Veloso, Akiva Schaffer, Al Nelson, Alex Graves, Alex Gregory, Alex Woo, Alexander Skarsgård, Alexandre Desplat, Alice Felton, Alicia Silverstone, Aliyah Mastin, Allison Janney, Amanda Marsalis, Amanda Seyfried, Amy Madigan, Amy Pascal, Andy Gill, Andy Jurgensen, Anthony Katagas, Arden Cho, Ariana Grande, Asher Grodman, Ashley Walters, Ato Essandoh, Audrey Nuna, Austin Winsberg, Autumn Durald Arkapaw, Babou Ceesay, Bella Ramsey, Benicio del Toro, Benny Burtt, Bernard Derriman, Bernard Telsey, Billy Bob Thornton, Blake Slatkin, Brandon Proctor, Brian Tyree Henry, Brian Machleit, Brian Mendoza, Britt Lower, Bruce Eric Kaplan, Bryan Andrews, Camila Perez, Carl Clemons-Hopkins, Caroline Baron, Carrie Preston, Cary Christopher, Cassidy Freeman, Charlie Hunnam, Chase Infiniti, Chase Sui Wonders, Chloé Zhao, Chris Appelhans, Chris Perfetti, Chris Welcker, Christine Tremarco, Christopher Scarabosio, Claudio Miranda, Clint Bentley, Craig Dolby, Craig Robinson, Damian Marcano, Dan Erickson, Dan Gilroy, Dan Laustsen, Dan O’Connor, Dana Gonzales, Dana Vasquez-Eberhardt, Danielle Brooks, David Alan Grier, David Heyman, David Rysdahl, David Taylor, David V. Butler, David Zucker, Debora Cahn, Deirdre Connolly, Delroy Lindo, Denée Benton, Diane Mercer, Diego Luna, Dolores Fonzi, Domee Shi, Domingo Corral, Ed Price, Edi Patterson, Ego Nwodim, EJAE, Eli Bush, Elle Fanning, Emilia Jones, Emilie Lesclaux, Emily Erotas, Emily Feller, Emily Korteweg, Emily Mortimer, Enrique Arrizon, Eric Leven, Erica Huggins, Erik Benson, Erin Doherty, Erin Foster, Eugenio Derbez, Eva Victor, Evan Goldberg, Everett Blunck, Felipe Pacheco, Félix de Givry, Francine Maisler, Frida Perez, Gareth John, Gary Powell, Gary Rizzo, Gigi Pritzker, Ginnifer Goodwin, Gordon Smith, Greg Kwedar, Gregg Taylor, Guillermo del Toro, Gwen Whittle, Hannah Einbinder, Hannah Walters, Henri Magalon, Henry Melcher, Ike Barinholtz, Inga Ibsdotter Lilleaas, Jackie Cohn, Jackie Tohn, Jacob Elordi, Jacobi Jupe, Jackson Spidell, Jafar Panahi, James Weaver, Janelle James, Janelle Momary-Neely, Janice Williams, Jared Bush, Jason Collins, Jean Smart, Jeff Frost, Jeff Goldblum, Jeff Trammell, Jen Statsky, Jenni Konner, Jennifer Venditti, Jeremiah Silva, Jess Rosenthal, Jessica Biel, Jessie Buckley, Ji-young Yoo, Jo Johnson, Joe Letteri, Joe Port, Joe Wiseman, Joel Edgerton, John Gilroy, John Hoberg, John Jude Schultz, John Mayer, Jon M. Chu, Jonathan Tolins, Jordan Tappis, José Antonio Garcia, Joseph Wright, Josh Safdie, Justine Lupe, Kaley Cuoco, Karolina Wydra, Kate Hawley, Katherine LaNasa, Kathy Bates, Keith Dawson, Ken Diaz, Keri Russell, Kevin Miller, Kim Rosenstock, Kirk Baxter, Kleber Mendonça Filho, Kristen Bell, Krys Marshall, Kyle Marvin, Laia Casanovas, Lawrence Bender, Lee Byung Hun, Leo Satkovich, Leonardo DiCaprio, Lisa Ann Walter, Liz Glotzer, Liza Marshall, Lucia Aniello, Luciane Buchanan, Luciano Bacheta, Ludwig Göransson, Lukasz Zal, Madeline Sharafian, Maggie Kang, Maïlys Vallade, Malgosia Turzanska, Marc Platt, Marcello Hernandez, Marin Ireland, Mark Roybal, Mark Ruffalo, Mark Sonnenblick, Mary Alice Drumm, Matthew Rhys, May Hong, Megan Stalter, Meghann Fahy, Mia Goth, Michael Angelo Covino, Michael Bauman, Michael B. Jordan, Michael Chernus, Michael Peña, Michael P. Shawver, Michelle Wong, Mike Fontaine, Mike Hill, Mike Makowsky, Miles Caton, Miles Dale, Natasha Lyonne, Nathan Crowley, Nathan Robitaille, Nic Gonda, Nick Offerman, Nicole Beharie, Nicole Brydon Bloom, Nikeah Forde, Nikki Boyer, Nina Gold, Nina Wolarsky, Nina Ye, Noah Hawley, Noah Wyle, Odessa A’zion, Oliver Laxe, Omar Miller, Oriol Maymó, Oscar Nuñez, Owen Cooper, Park Chan-wook, Patricia Arquette, Patrick Ball, Patrick Schumacker, Paul Mescal, Paul Tazewell, Paul Thomas Anderson, Paul W. Downs, Peter Huyck, Quinta Brunson, R. Scott Gemmill, Rachel Shane, Ramy Youssef, Rebecca Wisocky, Rei Ami, Regina Hall, Renate Reinsve, Rhea Seehorn, Richard Baneham, Richard Schwartz, Ro Donnelly, Robby Hoffman, Robert Harrington, Ron Schmidt, Ronald Bronstein, Rose Byrne, Rose McIver, Ruth E. Carter, Ryan Coogler, Sal Gentile, Salli Richardson-Whitfield, Sam Donovan, Sam Laybourne, Sam Racanelli, Sanne Wohlenberg, Sara Foster, Sarah Jenks-Daly, Sarah Shahi, Sarah Snook, Scott Stuber, Sean Baker, Sean Evans, Seth Rogen, Sev Ohanian, Shannon Mahina Gorman, Shawn Hatosy, Sherryl Clark, Sheryl Lee Ralph, Shih-Ching Tsou, Shunika Terry-Jennings, Siân Richards, Simon Chong, Skye P. Marshall, Sophia Lillis, Stellan Skarsgård, Stephane Ceretti, Stephen Dunlevy, Stephen Graham, Sterling K. Brown, Steve Boeddeker, Tamara Deverell, Te Ao O Hinepehinga, Ted Danson, Teyana Taylor, Thomas Pa’a Sibbett, Tiffany Little Canfield, Tim Baltz, Tim Hahn, Timothée Chalamet, Timothy Simons, Tom Pelphrey, Tony Cavalero, Tony Gennaro, Tony Villaflor, Tracey Cook, Tramell Tillman, Tyler James Williams, Ugo Bienvenu, Viridiana Lieberman, Wagner Moura, Will Tracy, William H. Macy, William Stanford Davis, Wood Harris, Wunmi Mosaku, Xavi Font, Yvett Merino, Zinzi Coogler, and many more.
The comedy-drama film “Rental Family” starring Brendan Fraser combines heartfelt moments with lighthearted humor, making it appealing to fans of both genres. Fraser, an actor living in Japan, plays a character who deeply impacts people’s lives. Here, a Japanese girl is told that her long-lost ‘white’ biological father wants to meet her. Fraser is the right age and fits the role of a relatable ‘white dude.’ I was surprised to learn that this service actually exists in Japan and remains popular today, adding authenticity to the story.
Japanese filmmaker Hikari and her cowriter Stephen Blahut create authentic characters, each with their own concerns and detailed agendas, who work through a storyline that is methodically enchanting. The film is both hilarious and impactful, showcasing significant changes that make for an enjoyable experience for everyone.
Having lived in Japan for seven years now, Phillip (Fraser) has lived in Japan for seven years and has no plans to move back to America. His acting career was stalled after a few silly TV advertisements. Meeting Tada (Hira), who runs Rental Family Inc., along with colleagues Aiko (Yamamoto) and Kota (Bun), changes his life. His jobs vary as a groom at a wedding, a journalist interviewing an acting legend (Emoto) who has dementia, and lastly as a father to the bright young girl Mia (Gorman), who thinks he’s really her long-lost dad. Phillip, being Phillip, can’t help but get involved with his clients, as he actually cares about them and their well-being.
Personally, I believe that the key to a great film is the excellent writing along with the superb direction, as the actors are able to dive in and make the film their own. Here we root for Phillip as he’s navigating his live to help others. Yes, it’s simple kindness, although that’s not always easy or comes naturally to people. What we as viewers see is the transformative power of kindness. We also witness the soft pace, quiet moments with bits of reflection, and comedy.
Fraser has already won our hearts in his Academy Award-winning film “The Whale” (2022), in which he played an obese recluse, embarrassed by his size. Here we see another side to Fraser as the “token white guy” who simply is a nice, kind guy, with no hidden agenda other than to help others with their problems of a missing relative. Yes, this is Brendan Fraser at his best, giving it his all, and I truly enjoyed his remarkable character and performance.
Jeremy Allen White is fabulous in “Springsteen: Deliver Me from Nowhere,” although the script is very narrow, focusing on his loss of self and inner reflection of who Bruce really was, also the period when he wrote the album Nebraska—written and directed by Academy Award winner Scott Cooper of 2009’s “Crazy Heart” fame that garnered Jeff Bridges his Academy Award. He based the script on the 2023 book, Deliver Me from Nowhere by Warren Zanes, as well as some elements from Springsteen’s autobiography “Born to Run. Chronicling Springsteen’s personal and professional battles during the conception of his 1982 album “Nebraska.”
The main issue with this biographical film is that it focuses too much on Bruce Springsteen’s darker days, which might alienate viewers unfamiliar with his story. Instead of providing a balanced view, the film dives into a prolonged exploration of his struggles, which can become wearisome over its two-hour run time. The good news is that Jeremy Strong, portraying Springsteen’s manager, Jon delivers an Oscar-worthy performance. Additionally, Stephen Graham, known for his role in the Emmy-winning series “Adolescence,” plays Bruce’s father, is also excellent. He grapples with alcoholism, bipolar disorder, and mental illness. We also learn that Bruce endured emotional and physical abuse from his father, who not only beat him but also abused his wife, creating an atmosphere of fear in their household.
The film’s pace is meandering, even slow at times; we trapse through moments that shaped his life and the inspirations that formed Bruce Springsteen’s creative life, while concurrently portraying the indolence of being in a depressive state. Resolving all of these factors with an empathic touch is Landau, Bruce’s manager and friend. Honestly, I was thankful he had this guy in the corner, as depression can take deep turns very quickly. Yes, I can recommend this film, though be prepared for a different kind of biopic, as the film’s unique focus on the social and emotional aspects of Bruce’s life will keep you engaged and interested.
In full discloser, I sat next to Jeremy during a Critics Choice dinner when he was nominated for Best TV actor for “Shameless.”He’s a talented actor and I had no doubts that he would go one to star in film as well.
Sarah Knight Adamson and Jeremy Allen White (Critics Choice Dinner 2022).
“The Diplomat” ★★★½ Season 3 Netflix October 16, 2025
Keri Russell, one of my favorite actors, stars as Kate Wyler in the Netflix political thriller “The Diplomat”. Her portrayal of a character is sure to keep you on the edge of your seat; she also serves as an executive producer. In this review, I’ll delve into Season 3 without giving away any spoilers, and bring you up to speed on the series as a whole.
Russell has been captivating audiences since her breakout role in the 1990s TV series “Felicity,” and caught my attention in the 2007 movie “Waitress.” In this film, she plays a waitress in a small Southern town who creates delicious desserts, but her marriage to an overbearing hooligan (Jeremy Sisto) makes her happiness impossible.
Another standout in Russell’s career is “The Americans” (2013), a unique series that delves into the lives of two KGB agents posing as an ordinary American couple during the Cold War. Russell’s co-star in this gripping drama is the talented actor, Matthew Rhys. They play Philip and Elizabeth Jennings two KGB spies who are in an arranged marriage, they are posing as Americans in suburban Washington, D.C. in 1984 during Ronald Reagan presidency. Teenager Paige and preteen Henry, are their children who are unaware of their parents’ true identities.
In “The Diplomat,” she plays a career diplomat propelled into the weighty role of U.S. ambassador to the UK in the middle of an international catastrophe. Her new situation places her under enormous anxiety on both her personal and professional life. The series extensively studies the intricate political and personal parleys. Her character, Kate Wyler, is a seasoned, behind-the-scenes crisis manager who is suddenly appointed to a high-profile ambassadorship and now faces personal and professional challenges. Her character and outstanding performance have resonated with audiences and critics, so much so that she was nominated for an Emmy Award.
As Kate navigates the unpredictable waters of geopolitical crises, she also struggles with a troubled marriage to her husband, Hal Wyler (Rufus Sewell), a prominent British diplomat. These personal challenges add depth to her character, making her more relatable to the audience. He’s currently a sidelined diplomat who’s unhappy being in the background while his wife has center stage. Formerly, he was the US Ambassador to Lebanon, where he negotiated the end of wars through his ruthless tactics, and was also fired after accusing the Secretary of State of being a war criminal. Their chemistry is great to watch as his charismatic personality can turn quickly into driven, ruthless and manipulator similar to maneuvers he used in this negation’s during his career. He appears genuinely loyal to Kate, yet his ambition and his schemes often cause conflict between them.
Yes, “The Diplomat” is one of my favorite TV shows, and Season 3 was excellent as well. I enjoy the yin and yang between Kate and Hal; they are both such interesting and complicated characters to view, and at times unpredictable. Their acting is some of the best on TV right now. I am also thrilled there will be a Season 4.
In theaters now “One Battle After Another” “Gabby’s Dollhouse: The Movie” (Kristin Wiig) writer. On TV thisSaturday, October 4, NBC New ‘Saturday Night Live’
“One Battle After Another” rated R stars Leonardo DiCaprio as a weed druggy, robe-wearing revolutionary who dons a greasy topknot hairstyle. Quite a change from the expensive suit-wearing guy we know him from “The Wolf of Wall Street.” However, director Paul Thomas Anderson provides Leo with the freedom to totally immerse himself in his role. By the time you suddenly realize it, you find yourself rooting for the bad guys to win.
Warner Brothers Pictures
Leo adds an absolute charm to his character, Bob Ferguson, a man deeply in love with Perfidia Beverly Hills, a female revolutionary who risks her life for a better world. As the film flashes back to their love story, we see the depth of their connection and the sacrifices they are willing to make for each other. Perfidia, played by the excellent Teyana Taylor, is amazing to watch. She’s caught between two men, one who wants to arrest her, Colonel Lockjaw (Sean Penn), and Leo. Her path is with the French 75 revolutionary team, which plans attacks at detention centers, carries out violent acts against government and financial institutions to fight what they see as a fascist, imperialist state. Their actions in the film include rescuing undocumented detainees from a detention facility at the U.S.-Mexico border and planting explosives in government buildings, courthouses, and the offices of politicians, destroying financial institutions and robbing banks to fund their operations, and carrying out attacks on the power grid. She also humiliates and assaults a military officer named Steven Lockjaw (Sean Penn), who later hunts she and her fighters down.
Photo Credit: Merrick Morton Caption: (L-r) LEONARDO DI CAPRIO and Director/Writer/Producer PAUL THOMAS ANDERSON on the set of “One Battle After Another.” A Warner Bros. Pictures Release.
Sixteen years later, Willa (Chase Infiniti), Leo’s daughter, is shown in her karate class with her Sensei, Sergio St. Carlos (Benicio Del Toro). Sergio is told that Leo fell off the roof and got arrested, we quickly see that he has his own network to rescue him. Yes, it’s basically one crazy scene after another, although I enjoyed all of the characters, and the absolute absurdity of their situations. One of my favorites is when Leo needs to charge his cell phone!
I can’t praise the performances of Sean Penn, Leonardo DiCaprio, and Benicio Del Toro enough; they are all tremendous in their roles. Director Paul Thomas Anderson makes the most of their talents, and they certainly are giving it their all. I highly recommend the film, although I’d proceed with caution if you are squeamish regarding torture, as there is a scene that I found particularly difficult to watch—all in all, a crazy, fun movie with twists and turns that will keep you entertained.
The film “Hamnet” is hailed as one of the most remarkable cinematic achievements of 2025, capturing attention and stirring excitement for the Oscars. Set against the backdrop of England in 1596, this historical drama weaves a poignant tale of personal tragedy and a deep love story between the legendary playwright William Shakespeare and his devoted wife, Agnes. Paul Mescal delivers a captivating performance as William, while Jessie Buckley brings depth and nuance to the character of Agnes, creating a powerful on-screen partnership that leaves a lasting impact.
Agnes, most at home in the woods, uses herbs for healing and possesses an intuitive understanding of the world beyond her senses. This invites viewers to connect with her mysterious and caring nature, which has a magical quality. While this is not a spoiler, it’s important to know that the film centers on the death of their young son, Hamnet, in 1596, while they are living in England. He is 11 years old and succumbs to the Bubonic Plague has a magical quality about her. This is not a spoiler; yet, all should know that the film’s focus is the death of their young son, Hamnet, in 1596, while living in England. He’s 11 years old, and he dies from the Bubonic Plague.
The film delves deeply into the poignant themes of grief, art, and loss. It’s far from your average historical biopic; rather, it presents a raw and authentic portrayal of a family navigating the turbulent waters of mourning. Critics are singing the praises of the performances, especially Jessie Buckley’s, fervently calling for her nomination for an Academy Award for Best Actress. This is a portrayal that leaves a lasting impression and captures the essence of human emotion beautifully.
The film’s final act may divide audiences. Zhao integrates long-drawn-out sequences that give us the look and feel of a stage play. Yet they are essential for showing how grief can become art and how “Hamlet” might have been born of terrible pain, which slows the pacing. This slow pacing invites viewers to experience the emotional depth more fully, encouraging patience and reflection. Here, the staging creates a bridge between personal grief and theatrical expression, showing how Shakespeare might have tried to process and honor his son’s memory through his best expression, a performance.
Hollywood 360 Live Broadcast link will post after Saturday evening Jan, 24
Father Mother Sister Brother (R) ★★★
Director Jim Jarmusch’s film is divided into three parts, each exploring family roles and dynamics, which helps keep viewers engaged by highlighting its thematic structure. His dramedy ‘Father Mother Sister Brother,’ starring Adam Driver, Mayim Bialik, Cate Blanchett, and Tom Waits, follows a day in the lives of two siblings and their parents, providing a clear overview of the film’s focus on family relationships and individual roles.
The story unfolds in three parts, each set in a different location. The first segment takes place in a small town in America, as siblings Jeff (Adam Driver) and Emily (Mayim Bialik) travel to visit their father (Tom Waits), whom they haven’t seen since their mother’s funeral. During their car travel, we view the siblings’ concerns about their father’s mental health and the state of his affairs in general. Highlighting these setting shifts can make readers feel intrigued about how each location influences the characters’ emotional states.
Upon arrival at their dad’s home, their concerns are validated as the house is very messy with scattered papers and sheets covering old furniture, symbolizing neglect and disorder. The eager-to-please Jeff is anxious about his relationship with his father and, seeking praise, offers him some high-quality canned goods. Emily has unresolved anger toward her father for his lack of parental responsibility when they were growing up, as he remains reserved and secretive. He tells them he simply wants to enjoy their family time together, yet he dodges all their questions about his life, money issues, and the Rolex watch he wears on his wrist, which he claims is fake. The iconic watch reappears in the second segment as a symbol of wealth, emphasizing themes of materialism and superficiality.
The second segment, titled “Mother,” is matriarchal in focus as we meet Charlotte Rampling, their mother, who is not happy with the arrival of her two daughters, Timothea, Cate Blanchett, and Lilith, Vicky Krieps, for their annual tea gathering in her Dublin home. The gathering has become more of an obligation rather than a delightful occasion. Charlotte knows it will not take long for her girls, especially Lilith, whom she worries about the most, to make things uncomfortable.
The sisters are quite the opposite in their choice of style, illustrating their contrasting personalities. Timothea dresses very conservatively and enjoys simple pleasures, while Lilith sports pink hair and seeks to express a life of excess. She outright lies and fabricates stories, including pretending her friend Jeanette (Sarah Greene) is her Uber driver. We see the unspoken competition between the sisters, with Lilith’s white lies representing her desire for her mother’s love, akin to a tennis match where each point scored brings her closer to the trophy of maternal approval.
The third part is set in Paris, where the twins Skye, Indya Moore, and Billy, Luka Sabbat, attempt to find an aspect of finality before their parents’ place is sold due to back-owed payments. Scrutinizing a few of the remaining items left behind, they find fake IDs and their father’s Rolex. The reunited siblings discover new facts about their parents while reconnecting over memories that will forever keep their parents flourishing in their hearts. Yes, it’s the twins’ story that brings together all the various anxieties and emotional threads in “Father Mother Sister Brother.”
31th Critics Choice Awards Honors the Best in Film and TV
Yes, it was all smiles despite the cloudy skies and light sprinkles at the 31st Critics Choice Awards on January 4, 2026. I’ve covered the awards for the last eleven years, and this Chicago-based critic always looks forward to warmer weather during the event held at the Barker Hanger in Santa Monica, California.
Sarah Knight Adamson and Alicia Silverstone Critics Choice Awards 2026 (SKA photo credit)
Chelsea Handler hosted the awards as she has for the last several years; she is very comical and keeps the show hopping. She did mention Rob Reiner, who was murdered last month, as directed “The Princess Bride” and “Misery,” saying, “He’s the nicest guy in Hollywood.” Also, “Anyone who ever spent time with Rob Reiner knows that the minute you met him, he felt like an old friend when you were in a conversation with him,” she said. “He was present, he was focused, and he was funny, and he would ask you tons of questions, whether you were discussing politics or film or the latest beauty trends. He was all in after I texted him to thank him for dinner a few months ago. He texted me back and said, ‘We had so much fun with you last night. Thanks for explaining so much about plastic surgery; it was very edifying.” Of course, the room erupted in applause.
Our awards are determined by a group of over 500 broadcast critics and journalists from around the globe, although less than half attend the live show. This year I met Amanda Seyfried from the movie “The Housemaid,” we spoke about her role as well as the book on which it is based by Freida McFadden. Seyfried said, “At times it was difficult for myself and Sydney Sweeny to keep a straight face,” as they did have a great time working together despite their rival roles over Brandon Sklenar, who played her husband. I told her my book club read the book and really enjoyed the story, and her performance in the film.
“One Battle After Another,” starring Leonardo DiCaprio and co-starring Sean Penn and Teyana Taylor, earned the best-picture award. Directed by Paul Thomas Anderson, the film features DiCaprio as a burned-out revolutionary searching for his daughter, winning three awards in total, including honors for directing and adapted screenplay. “This is the best time I ever had making a movie, and I feel like it shows,” Anderson said.
Best Actor category was won by Timothée Chalamet for his portrayal of an ambitious table-tennis player in “Marty Supreme.” In his acceptance speech, he thanks his girlfriend Kylie Jenner, saying, “Thank you for our foundation. I love you. I couldn’t do this without you.” It was actually fun to see the couple together enjoying the evening as their bodyguards kept a close watch.
Critics_Choice_Getty_Images_2026
“Hamnet’s” Jessie Buckley was favored to win best actress, and it was wonderful to see her accept the award, as she plays William Shakespeare’s wife. Buckley expressed her gratitude for playing a character that is often overlooked due to the popularity of her famous husband.
She was astounded as she took the stage, “This is intense!” Buckley said. She gave a heartfelt speech, telling co-star Paul Mescal, “You’re a giant of the heart, and thank you so much for making me a little more human,” and adding, “I could drink you like water,” noting his impact on her performance and the industry. She also thanked her fellow nominees and everyone involved in the film, emphasizing the privilege of creating art.
Other major film prizes went to Amy Madigan, the supporting actress winner for “Weapons,” and Jacob Elordi, the supporting actor winner for “Frankenstein.” Guillermo del Toro’s monster movie also picked up awards for costumes and production design. Ryan Coogler’s vampire drama, “Sinners,” won for score, original screenplay, and best young actor, Miles Caton.
The complete list of Critics Choice winners:
Film
Best Picture
“One Battle After Another”
Best Actor
Timothée Chalamet, “Marty Supreme”
Best Actress
Jessie Buckley, “Hamnet”
Best Supporting Actor
Jacob Elordi, “Frankenstein”
Best Supporting Actress
Amy Madigan, “Weapons”
Best Young Actor or Actress
Miles Caton, “Sinners”
Best Director
Paul Thomas Anderson, “One Battle After Another”
Best Original Screenplay
Ryan Coogler, “Sinners”
Best Adapted Screenplay
Paul Thomas Anderson, “One Battle After Another”
Best Casting and Ensemble
Francine Maisler, “Sinners”
Best Cinematography
Adolpho Veloso, “Train Dreams”
Best Production Design
“Frankenstein”
Best Editing
Stephen Mirrione, “F1: The Movie”
Best Costume Design
“Frankenstein”
Best Hair and Makeup
“Frankenstein”
Best Visual Effects
“Avatar: Fire and Ash”
Best Stunt Design
“Mission: Impossible — The Final Reckoning”
Best Animated Feature
“KPop Demon Hunters”
Best Comedy
“The Naked Gun”
Best Foreign Language Film
“The Secret Agent”
Best Song
“Golden,” “KPop Demon Hunters”
Best Score
Ludwig Goransson, “Sinners”
Best Sound
“F1: The Movie”
Television
Best Drama Series
“The Pitt”
Best Actor, Drama Series
Noah Wyle, “The Pitt”
Best Actress, Drama Series
Rhea Seehorn, “Pluribus”
Best Supporting Actor, Drama Series
Tramell Tillman, “Severance”
Best Supporting Actress, Drama Series
Katherine LaNasa, “The Pitt”
Best Comedy Series
“The Studio”
Best Actor, Comedy Series
Seth Rogen, “The Studio”
Best Actress, Comedy Series
Jean Smart, “Hacks”
Best Supporting Actor, Comedy Series
Ike Barinholtz, “The Studio”
Best Supporting Actress, Comedy Series
Janelle James, “Abbott Elementary”
Best Limited Series
“Adolescence”
Best TV Movie
“Bridget Jones: Mad About the Boy”
Best Actor, Limited Series or TV Movie
Stephen Graham, “Adolescence”
Best Actress, Limited Series or TV Movie
Sarah Snook, “All Her Fault”
Best Supporting Actor, Limited Series or TV Movie
Owen Cooper, “Adolescence”
Best Supporting Actress, Limited Series or TV Movie
