Ginny and Georgia Series (MA-TV) Netflix ★★★★

Ginny and Georgia Series (MA-TV) Netflix ★★★★

“A Minecraft Movie” (PG) ★★★ By Calvin Knight LeBlanc

“A Minecraft Movie” (PG) ★★★ By Calvin Knight LeBlanc

How to Train Your Dragon (PG) ★★★½

How to Train Your Dragon (PG) ★★★½

Lilo & Stitch (PG) ★★★★

Lilo & Stitch (PG) ★★★★

Karate Kid: Legends (PG-13) ★★★

Karate Kid: Legends (PG-13) ★★★

Reviews

Ginny and Georgia Series (MA-TV) Netflix ★★★★

While both “Ginny & Georgia” (2021) and “Gilmore Girls” (2000) focus on a mother-daughter relationship in a small-town setting, they differ significantly in their content. “Ginny & Georgia” is a more mature and complex drama with a darker tone and diverse themes, whereas “Gilmore Girls” is lighter, more comedic, and heartwarming. At times, I wish the Netflix series would adopt a lighter approach, although murder is certainly not an uplifting topic. One thing is clear: “Ginny & Georgia” is not a typical show; it can be quite shocking at times.

In their small town, women are judged based on their economic status, race, class, and social issues—factors that Georgia pays little mind to. She does her best to avoid embarrassing her husband, Mayor Paul Randolph, of the fictional town of Wellsbury. However, Georgia is known to speak her mind, especially when it comes to her children.

Brianne Howey as Georgia, Scott Porter as Paul, Antonia Gentry as Ginny, Diesel La Torraca as Austin in season 2 of ‘Ginny & Georgia’. Credit: Amanda Matlovich/Netflix

The series recently concluded its third season, which consisted of ten episodes. Reflecting on the first season, it addresses mature themes, including Ginny’s struggles with self-harm; she injures herself by burning her skin due to issues of insecurity related to her biracial identity. Her mother is white, and her father is Black, though he is somewhat absent from her life. This mixed-race background leads to challenges in her sense of identity, particularly as she navigates life in a predominantly white town and within a white family.

Ginny’s identity is a significant part of her storyline, and she doesn’t fully fit into either community. For myself, I learned a new term, ‘microaggressions,’ which is the real-life situations that biracial people face, such as being singled out in school or blamed for things her white friends did. In the series, her AP English teacher assumes she can’t keep up with the class and calls her rap poetry “too unconventional.”

Microaggressions are subtle forms of prejudice that can demean or invalidate a person’s group identity, racial heritage, or feelings. They can be verbal or nonverbal and can take the form of off-handed comments, jokes, or body language. One of the great aspects of the show, especially for biracial viewers, is that it can spark conversations about race and identity. Her past moving around so much didn’t help as she didn’t stay in one place long enough to form solid friendships, which created loneliness that can lead to self-harm. She is academically gifted, plays the piano and can speak Korean.

Brianne Howey as Georgia and Antonia Gentry as Ginny Netflix Season 3

Ginny Miller’s younger half-brother is Austin Miller, portrayed by Australian actor Diesel La Torraca. Austin is a shy fourth-grade boy who loves Harry Potter and dreams of magic. He wishes to live a carefree life with his mom and sister. Austin is also fond of living room dance parties and would like to get an acceptance letter from Hogwarts.

Austin’s character was born in 2011 to Georgia Miller and Gil Timmins. However, his father was incarcerated for fraud and embezzlement when Austin was just three years old. Growing up in poverty, Austin faced a challenging childhood, frequently moving and encountering various stepfather figures. His older half-sister, Ginny, sometimes took care of him, even when she was homeless or living without electricity. When Austin was nine, his stepfather, Kenny Drexel, tragically died in a car crash.

The series explores teenage challenges and doesn’t shy away from depicting the struggles of those years. I appreciated the authenticity of the series and how the teens find their own solutions to problems. While it’s tough to navigate high school with everyone whispering about you, it’s ultimately more beneficial to focus on your studies. Ginny goes through some difficult situations, and through her journey, we see that she recovers just fine. On the other hand, Georgia’s past catches up with her as she’s in such an unlawful predicament that her husband, the Mayor, can’t even help her. I enjoyed all three seasons, and I’m looking forward to Season Four, which could premiere this November 2025.

Cast:

  • Brianne Howey as Georgia Miller
  • Antonia Gentry as Virginia ‘Ginny’ Miller
  • Diesel La Torraca as Austin Miller
  • Jennifer Robertson as Ellen Baker
  • Felix Mallard as Marcus Baker
  • Sara Waisglass as Maxine ‘Max’ Baker
  • Scott Porter as Mayor Paul Randolph
  • Raymond Ablack as Joe
  • Katie Douglas as Abby
  • Chelsea Clark as Norah
  • Nathan Mitchell as Zion Miller
  • Zarrin Darnell-Martin as Dr. Lily
  • Agape Mngomezulu as Bryon Bennett
  • Katelyn Wells as Silver
  • Aaron Ashmore as Gil Timmins
  • Vinessa Antoine as Simone
  • Ty Doran as Wolfe
  • Tony Nappo as Josh Finn
  • Mark Rendall as Mr. Kay
  • Matthew MacFadzean as Mr. Foley
  • Noah Lamanna as Tris

Sarah Lampert is the creator and executive producer of the series, which premiered in February 2021

Directors: Sharon Lewis, Anya Adams, Catalina Aguilar Mastretta, Renuka Jeyapalan, Sudz Sutherland, Aleysa Young, Audrey Cummings, Danishka Esterhazy, James Genn, Rose Troche, Darnell Martin, Jasmin Mozaffari, April Mullen, and Elizabeth Allen Rosenbaum

Executive producers: Sarah Lampert, Debra J. Fisher, Jenny Daly, Holly A. Hines, Daniel Iron, Armand Leo, Daniel March, Lance Samuels, Jeff Tahler, and Anya Adams

Co-executive producers: Tawnya Bhattacharya, Elena Blekhter, and Ali Laventhol

Supervising producers: Danielle Hoover and David Monahan

Sarah’s Hollywood 360 Radio Network pod-cast with be posted after this Saturday evening.

Sarah Knight Adamson© June 30, 2025

“A Minecraft Movie” (PG) ★★★ By Calvin Knight LeBlanc

In my opinion, the “A Minecraft” movie is great if you play the game. It has a lot of details, as does the game. But there are some details that you can tell are fake.

June 29, 2025  By Calvin, age 8 years old.

 

 

How to Train Your Dragon (PG) ★★★½

What a great movie for families with a strong message for all, ‘Kindness Wins!’ During the Viking Age, in the opening scene on the Island of Berk, we are introduced to a young teenage boy named Hiccup (Mason Thames), the son of the Viking chief (Gerard Butler). The elders hunt the dragons as they wreak havoc on their village. Teens are taught to kill dragons at the Berk Dragon Training Academy, as young Vikings also learn about dragon training. This academy transitions from focusing on fighting and slaying dragons to training them in film. The main human character is a teenage boy named Hiccup, who is not comfortable killing dragons; in fact, he befriends a dragon named Toothless and hides it from others.

Hiccup (Mason Thames) and Astrid (Nico Parker)  DreamWorks Animation and Marc Platt Productions and distributed by Universal Pictures.

We cringe at times, as Hiccup has a significant burden to carry, being the son of the Viking chief, and he’s uncomfortable with his expected duties. Hiccup Horrendous Haddock III is his full name. His age is 16, and he has become a recluse as he learns blacksmithing from Gobber; thus, tapping into his creative mind, he begins to invent mechanical devices to overcome his physical weakness. Again, this is why the film is so great, as it teaches kids and teens to use their creative abilities to solve problems. We see him construct different saddle designs as well as devices such as wings for the dragons to fly faster and into the narrow surroundings.

Viking chief (Gerard Butler) DreamWorks Animation and Marc Platt Productions and distributed by Universal Pictures.

I’ve always been a fan of strong female characters, and Astrid is a competitive, tough, and outspoken character who is extremely loyal to her cause and those she cares about. She’s described as quick-thinking, intelligent, and resourceful, and she values skill, strategy, and precision. A natural leader and strategist, and is second in command at the Berk Dragon Academy. She’s a talented dragon trainer whose expertise is in the Deadly Nadders variety. She’s considered the best warrior in her class. Here, she wears French braids and colorful clothes. She is Hiccup’s love interest and cares about him deeply; she listens to him, although at times, she shakes her head at his unorthodox methods.

DreamWorks Animation and Marc Platt Productions and distributed by Universal Pictures.

On a side note, if any of you are interested in the time period in which the Viking Age occurred, here are some facts. The Viking Age is generally considered to have lasted from 793 to 1066 CE. It began with the attack on the Lindisfarne monastery in 793 and effectively ended with the Battle of Stamford Bridge in 1066, which resulted in the death of the Norwegian king Harald Hardrada, often regarded as the last prominent Viking leader. This period is characterized by Scandinavian seafarers raiding, trading, and settling in various parts of Europe. I’ll be visiting Scandinavia in three weeks and plan to visit the Viking Ship Museum in Oslo, Norway. Stay tuned for updates.

I can’t rave about this movie enough, as it’s great for so many reasons. The storylines are strong, showing creativity, resourcefulness, and leadership. Both Mason Thames and Gerard Butler are great in their roles. I loved the line that’s said to Hiccup: “It’s not what you think you look like on the outside, it’s what’s inside. So stop trying to be someone you’re not.

Additionally, the movie’s scenery is gorgeous, thanks to the very detailed set designs. The flying scenes, featuring people and dragons, are breathtaking and very realistic; you can almost feel the wind blowing on your face. It’s a feel-good, heartfelt movie that’s wonderful for the entire family.

Hollywood 360 Podcast will post after this Saturday evening… Stay Tuned!

Sarah Knight Adamson© June 15, 2025

Lilo & Stitch (PG) ★★★★

Have your kids ever struggled with finding a best friend? In the heartwarming live-action remake of “Lilo & Stitch,” we learn how a young girl’s dreams come true when she sees an alien friend named Stitch. The movie is the live-action remake of the 2002 carton version created by Disney animator Chris Sanders. Here’s the very cool part: Sanders is the voice of Stitch! He made a gamble at the time with a budget of 80 million, and the 2002 movie went on to make over $273.1 million worldwide. Due to the success of the movie, three sequel films were produced, as well as several television series, books, and toys.

Stitch 2002 created by Chris Sanders @Disney Chris Sanders

The live-action rendition of “Lilo & Stitch” is a faithful remake of the 2002 film, with only a few minor additions. For those new to the character of Stitch, he’s an alien created illegally through a genetic experiment. He escapes the Galactic Federation and crashes on Earth; Stitch wakes up in a dog rescue center. The main problem with adopting Stitch and bringing him into a family is that he was designed to be mischievous, and his primary function is to destroy everything he touches. He is bulletproof, fireproof, shockproof, and can think faster than a supercomputer.

Walt Disney, Lilo & Stitch 2002 @Chris Sanders

At the center, Stitch convinces six-year-old Lilo Pelekai (Maia Kealoha) to adopt and bring him home. Stitch and Lilo have a great time getting to know each other. Although his pranks are harmless, they don’t look like great parenting for Lilo’s older sister, Nani (Sydney Elizabeth Agudong), as she may lose her guardianship as she’s being monitored. Also, there’s the threat of Agent Pleakley (Billy Magnussen) and Stitch’s creator, Dr. Jumba Jookiba (Zach Galifianakis), who have traveled from space to retrieve him.

Lilo (Maia Kealoha) in Disney’s live-action LILO & STITCH. Photo by Matt Kennedy. © 2025 Disney Enterprises Inc. All Rights Reserved.

First and foremost, Hawaii is the perfect setting for “Lilo & Stitch,” as the swaying palm trees, beautiful beaches, and surfing are all delightful to view. The story is poignant as well as the sisters have lost their parents and are living on their own, with Nani trying to make money so they can survive. A great quote in the film is when Stitch says after living with the girls awhile: “This is my family. I found it all on my own. It’s little, and broken, but still good. Yeah, still good.” Both girls are great in their roles; Lilo has a vast amount of emotions to play, from total exaltation to extreme sadness. Nani plays concerned and worried, as well as shocked and awed by Stitches’ antics she observes.

(L-R) Maia Kealoha as Lilo and Sydney Agudong as Nani in Disney’s live-action LILO & STITCH. Photo by Matt Kennedy. © 2025 Disney Enterprises Inc. All Rights Reserved.

This enjoyable, fast-paced, family-friendly gem is for all to enjoy; that probably explains why the girls seated next to me were in their early 20s.’

 

(L-R) Maia Kealoha as Lilo, Stitch and Sydney Agudong as Nani in Disney’s live-action LILO & STITCH. Photo courtesy of Disney. © 2025 Disney Enterprises Inc. All Rights Reserved.

Click on the link for my Hollywood 360 Radio Podcast of “Lilo & Stitch”:hollywood360radio.com/lilo-stitch 

@Sarah Knight Adamson June 13, 2025 Lilo&StitchSBP

 

 

Karate Kid: Legends (PG-13) ★★★

The popular martial arts drama movie “Karate Kid: Legends” (PG-13) is now playing in theaters. It’s the sixth installment of the ‘Karate Kid’ franchise, continuing the story from the 2010 film “The Karate Kid” and the 2018 television series “Cobra Kai.” I’m excited to share that the talented Jackie Chan, whom I had the pleasure of interviewing in Chicago a few years ago, reprised his role as a Kung Fu trainer.

Jackie Chan “Karate Kid” April 2010, Chicago, Photo Credit: Sarah Knight Adamson

Newcomer Ben Wang stars as the new karate kid, Li Wen, who is both a skilled fighter and an endearing young man. The film is enjoyable primarily due to its cast. An amusing aspect is that Li is referred to as the “Chinese Peter Parker,” and I can easily envision him in a role similar to that of Tom Holland in “The Karate Kid.” The supporting cast is also strong; Li’s mother, played by Ming-Na Wen, is unhappy about her son’s karate training and fears that he might compete in a match. We learn that she lost a son in a fight years ago, which adds depth to her character. After moving from China to New York City, she hopes that Li’s fighting days are behind him.

Sony Pictures Karate Kid: Legends” 2025

The film begins with a scene from “The Karate Kid Part II,” featuring the wise Mr. Miyagi, played by Pat Morita, as he shares his family’s karate journey with his student, Daniel LaRusso, portrayed by Ralph Macchio. This scene is expanded to highlight that Miyagi-go karate is also influenced by kung fu.

“The Karate Kid” April 2010, Chicago, Sarah_Knight_Adamson_reporting_Photo Credit: Sarah Knight Adamson

Early in the film, Li encounters Mia, played by Sadie Stanley, a local girl who works with her father, played by Joshua Jackson, a former kung fu fighter who now owns a pizzeria. Li assists Mia in delivering pizzas, which does not sit well with Mia’s ex-boyfriend, the former city karate champion.

Jackie Chan and Jayden Smith “Karate Kid” April 2010, Chicago, Photo Credit: Sarah Knight Adamson

The film is quite predictable, as it’s clear early on that it will culminate in a kung fu match with the protagonist’s nemesis, which serves as the central theme. However, I actually enjoyed these scenes, particularly because they were filmed on a rooftop with a stunning view of New York City. I also appreciated the appearance of William Zabka, the former Cobra Kai star who played Johnny Lawrence near the end of the film. It left me wondering if there might be another film featuring Zabka. While “Karate Kid: Legends 2” has not been confirmed, it could potentially be released in the next couple of years.

Sarah Knight Adamson© June 3, 2025

Hollywood 360 Radio Podcast of “Karate Kid: Legends” will post after the broadcast this Saturday evening.

Mission Impossible: Dead Reckoning (PG-13)★★★½

We’ve waited two years for the second half of the latest Mission: Impossible adventure, starring the daredevil stuntman Tom Cruise as Ethan Hunt. I can confidently say that it has been worth the wait. Picking up where ‘Dead Reckoning’ ended, Ethan Hunt has an enormous mission to complete as The Entity, a powerful AI’s whose goal is to take over the world and destroy it. Not to worry, as you’ll also see his signature full-speed running several times during the film with his elbows bent to a 90-degree angle, pushing him forward.

The stunt work is awe-inspiring here, as you’ll be wowed by the biplane sequence featured in the trailers, although you’ll have to wait a bit as it’s near the end. The runtime is a little long, as I thought. Near the middle of the film, it dragged, especially with the lengthy submarine scenes; however, the second time I saw the movie, it didn’t seem as long. It’s refreshing to see strong, significant women in roles such as Angela Bassett, who delivers a fabulous performance as the no-nonsense U.S. president and has a good amount of screen time. I also enjoyed Haley Atwell as Grace; she adds a softness to the more intense scenes and excels in hand-to-hand combat, which was challenging and entertaining to watch. Lastly, I must mention Pom Klementieff, who plays a blonde character that adds much-needed humor to the film. I always enjoy her performances, as she brings a quirky charm to her roles in both films.

There are other comical lines, one that the always great Simon Pegg, who plays Benji, makes a joke about “Going Nuclear,” which garnered a good laugh from the audience. He’s always helpful as the problem solver and Ethan’s loyal friend. Luther (Ving Rhames), a tech genius, works on problem-solving to save the planet from destruction. Last but not least, the villain is Esai Morales, who plays Gabriel, a debonaire cipher whose relationship to the evil AI remains puzzling. We wonder if the Entity has brainwashed Gabriel into devoting his life to working as its embodied human representative. Or is he attempting to take it for himself? A line from the film regarding the technology is described as a truth-eating digital parasite. Morales effectively portrays this villain, making him interesting to watch as he delivers his lines with a glint of mischief in his eye.

Once again, Tom Cruise brilliantly brings his character full circle as we see him navigate through various challenging situations, always managing to find a way out. That’s the excitement of these films: Cruise is repeatedly faced with circumstances that would typically be lethal for anyone else, yet he finds inventive solutions. I also appreciated the musical score composed by Max Arui and Alfie Godfrey in this installment. The jaw-dropping scene featured in the trailer—a thrilling aerial chase where Cruise first clings to the outside of a World War II-era biplane as it takes off, then leaps to a second biplane piloted by the Entity’s collaborator, Gabriel—truly makes the film worth seeing.

Checkout the Hollywood 360 Radio Podcast: https://www.hollywood360radio.com/mission-impossible-dead-reckoning-pg-13★★★%C2%BD/

Sarah Knight Adamson© June 1, 2025

Poker Face TV Series Peacock ★★★★

Are you looking for a TV series that is comical, creative, and fun to watch? “Poker Face,” the crime-solving comedy-drama streaming on Peacock, is fantastic as the lead, Natasha Lyonne, who plays Charlie Cale, has stylized her mannerisms, crazy looks, and facial expressions to captivate all. Starting with her long, curly red hair, sunglasses, trucker hat, loud clothing, and those baseball socks, Charlie is a force to be reckoned with. This distinctive style reflects her unique personality and tenacity, making her a character you won’t easily forget.

POKER FACE — Pictured: Natasha Lyonne as Charlie Cale — (Photo by: PEACOCK)

The writer and director Rian Johnson also gave her excellent supernatural power; she could actually tell when a person was lying. Certainly, a skill that aids in her investigation, as typically a murder is to be solved when she’s questioning people. This remarkable skill adds an intriguing layer to the narrative, as it aids her in navigating the complex world of crime and deception.

Rian Johnson Critics Choice Awards Hollywood, January, 2024  Photo Credit: Sarah Knight Adamson

A murder mystery typically unfolds as Charlie engages with various suspects, skillfully uncovering their secrets while utilizing her gift to reveal the truth. Under the direction and writing of Rian Johnson, “Poker Face” offers moments of humor and invites viewers to solve thrilling whodunits. The show’s combination of comedy and suspense ensures that audiences are thoroughly entertained. Whether you’re drawn in by the laughs, the tension, or the unique character interactions, “Poker Face” guarantees an engaging experience that is hard to resist.

Natasha Lyonne Critics Choice Awards Hollywood, January, 2024                                                                                          Photo Credit: Sarah Knight Adamson

Former fans of the show “Columbo” (1971-1990), starring Peter Falk as a detective, may appreciate the unique storytelling approach of this whodunit series. Unlike most detective shows, where viewers are kept in the dark about the criminal’s identity until the police or detectives uncover the clues, “Columbo” and “Poker Face” reveal the crime and the perpetrator at the beginning of most episodes. The real mystery and enjoyment for viewers come from trying to spot the clues that lead Charlie Cale to identify the culprit and observing the clever strategies she employs to elicit a confession.

The first season debuted on January 26, 2023, and the second season premiered on May 8, 2025. Each episode for season 2 will drop once a week, as there are 14 in all. Due to the show’s popularity, many Hollywood actors want to be on the show, just like Seth Rogen’s “The Studio” with Martin Scorsese in his first episode. Season 2 kicks off with “Poker Face” starring Adrian Brody in a lead role, along with Giancarlo Esposito, Katie Holmes, and Cynthia Erivo. A similar pattern occurs in each episode: we witness a murder, of which the stars may play either the victim or the culprit. Then we view Charlie in different locations, somehow getting involved in investigating the crime.

As you can imagine, so many different scenarios can appear in a crime scene, as well as in Charlie’s carefree life. She’s basically a ‘human lie detector,’ where the fun begins with her at the center unknowingly to the culprits taking charge, as due to her unconventional looks and demeaner they underestimate her, which is all part of the fun as typically she has the case solved and in on a mission to solve the crime. I’ve thoroughly enjoyed the show from the beginning as I appreciate the creative writing involved, watching the outstanding actor Natasha Lyonne, and getting a kick out of seeing the guest stars.

Rian Johnson Critics Choice Awards Hollywood, January, 2024
On a side note, I met Rian Johnson and Natasha Lyonne as they sat next to my table at the Critics Choice Awards in 2024. I told Rian that I was at the Toronto Film Festival in Toronto, September 2019, when “Knives Out” premiered to a standing, roaring ovation with all the cast coming across the stage to take bows. I also talked with him about chatting on the Red Carpet. It was one of my most iconic experiences as a film journalist. Rian also wrote and directed that film. I said to him that his creativity in screenplay writing is incredible, and I for one appreciate his work and simply wanted to thank him, and from that moment I was looking forward to what he was going to write next, of which “Poker Face” the TV show was next.
Sarah Knight Adamson© May 17, 2025

Ransom Canyon (PG-13) Netflix ★★★

The Netflix Western drama series “Ransom Canyon” is brought to life by a cast that includes the seasoned star Josh Duhamel (Staten Kirkland) and the promising newcomer Minka Kelly (Quinn O’Grady). Their performances are the show’s heart, with Duhamel’s portrayal of a grieving husband and Kelly’s depiction of a struggling restaurateur particularly captivating. Despite the show’s predictability, their performances carry the series from start to finish, making it a pure delight to watch and keeping the audience captivated and invested.

Netflix

It’s based on a series of novels by Jodi Thomas, and the show’s first season is primarily inspired by the first book in the series, also titled “Ransom Canyon.” The setting is a fictional town of the same name located in the Texas Hill Country. Quinn has fallen for a guy who wants to buy Staten’s ranch, which is similar to “Yellowstone,” in everyone wanting the land. The message is the same: the land is coveted and desired by all, especially large corporations looking to expand their operations. Here, there are three ranching family dynasties all locked in a contest for control of the land; their lives and heritages are endangered by outside forces intent on destroying the ranching way of life.

The side stories in “Ransom Canyon” offer fascinating insights into the life of a rancher, showcasing the hard work and dedication required in this profession. The sacrifices made to protect livestock highlight the deep loyalty to both the land and the traditional values of the West. When a cowboy drifter arrives in town, he brings with him a troubled past that resurfaces, unveiling the demons he tries to escape. Meanwhile, Quin finds herself being courted by a wealthy city man who does not adhere to the rules. His dishonesty and hidden intentions create compelling drama in the narrative. Ultimately, the complexities of life in “Ransom Canyon” reveal that not everything is black and white.

I found Duhamel to be an interesting actor, as he portrays brooding characters well. We don’t actually see him smile until the third episode. Although Kelly is  shown in romantic scenes or engaging in girl-talk conversations, she still captures your attention and fully embraces her role. As the series progresses, it becomes somewhat predictable, but when the moment finally arrives, we are ready for some chemistry and action. You will not be disappointed.

On a side note, I researched Minka Kelly after I saw her in a scene in “Ransom Canyon” with real-life boyfriend Dan Reynolds of the music group “Imagine Dragons,” which I’ve had the pleasure of seeing twice in concert. Kelly grew up under harsh circumstances as her father left the family and her mother was on the run from the law when she was only 17 years old. Kelly has written a excellent book, “Tell Me Everything: A Memoir,” (2023) which I’m reading now. Her first significant role was in “Friday Night Lights” (2006–2009).

Series Credits

Creator/ Showrunner / Executive Producer: April Blair

Director(s): Amanda Marsalis, David McWhirter, Meera Menon, Michael Offer

Writer(s): April Blair, Joe Fazzio, Paul Haapaniemi, Laura Nava, Lucas Rojas, Paul Haapaniemi

Series Regulars: Josh Duhamel, Minka Kelly, James Brolin, Eoin Macken, Lizzy Greene, Andrew Liner, Marianly Tejada, Garrett Warning, Jack Schumacher

Guest Stars: Philip Winchester, Meta Golding

Recurring: Kate Burton, Casey W. Johnson, Jennifer Ens, Brett Cullen, Jaren Robledo, Niko Guardado, Justin Johnson Cortez, Tatanka Means, Kenneth Miller

Sarah Knight Adamson © May 6, 2025

The Thunderbolts* (PG-13) ★★★

Mental Health is the main theme in a Marvel movie? Now I’ve seen everything. Although the good news is “Thunderbolts*” is well cast, Yelena Bulova is portrayed by Florence Pugh, effectively conveys her inner feeling apathetic and without purpose very well. Basically, she’s depressed during the entire film. Although she carries the film from start to finish. Sebastian Stan reappears in his Bucky Barnes role as Captain America’s brainwashed friend with a bionic arm that can be used as a weapon or a shield, and who is now a member of Congress. You’ll also meet Bob, a newcomer to Marvel films played amazingly by Lewis Pullman; he struggles from manic issues, including hyper highs and lows, as well as blackouts. I’ll reveal his powers later into the review.

Ghost (Hannah John-Kamen), Bob (Lewis Pullman), John Walker (Wyatt Russell), Alexei Shostakov/Red Guardian (David Harbour), Yelena Belova (Florence Pugh) and Bucky Barnes (Sebastian Stan)in Marvel Studios’ THUNDERBOLTS*. Photo by Chuck Zlotnick. © 2025 MARVEL.

Jake Schrier (Robot & Frank 2012) serves as director, while Eric Pearson and Joanna Calo co-wrote the script. Another character is Alexei Shostakov / Red Guardian, played by a hysterically funny David Harbor in a Russian accent. He’s a member of the Thunderbolts*, a Russian super soldier counterpart to Captain America, and a father figure to Yelena. Ava Starr is Hannah John-Kamen, the unstable science experiment of “Ant-Man and the Wasp”; John Walker, a US agent, is Wyatt Russell, a broken soldier who was demoted from being Captain America.
Lastly, the main protagonist, Yelena, carries the movie from start to finish. We first meet her character as she’s in Malaysia working on her ‘clean up’ business, which involves killing persons who try to interrupt a diabolical plan. We see her super strength and skills during her hand-to-hand combat. She’s similar to a human machine gun, killing quickly and efficiently, although she takes no pleasure in it as she’s bored and depressed.

We are shown disturbing flashbacks of Yelena’s childhood during her captivity in the Red Room, where she witnesses the killing of another child and is taught to hurt others. Parents, I would caution against bringing children to this film as it is disturbing and not suited for kids. Some critics are noting that it should be rated R instead of PG-13, and I agree.

The oddball flawed characters who eventually come together as the ‘Thunderbolts*’are former Black Widow agent Yelena, Belova (Florence Pugh); Bucky Barnes, aka the Winter Soldier, Sebastian Stan; Yelena’s adopted dad and Russian super soldier Red Guardian, David Harbour; Ava Starr aka Ghost played by Hannah John-Kamen; John Walker, plays Wyatt Russell the disgraced former Captain America who now goes by US Agent; Bob (Lewis Pullman) is a man who plays the role of Bob Reynolds, also known as Sentry. He is a civilian who was experimented on by Valentina Allegra de Fontaine (Julia Louis-Dreyfus) to become a super soldier, eventually becoming the Sentry. Bob is also revealed to have a dark side, the Void which is a manifestation of his inner trauma. Lastly, combat expert Taskmaster Olga Kurylenko.

The CIA director Valentina Allegra de Fontaine, is experimenting on human test subjects to create a fighter she calls the “Golden Guardian of Good.” Her ideal for this fighter is white, male, and blonde. One of the test subjects is Bob; the Thunderbolts* work together to fight against Bob while encouraging him to fight his evil nature. Bob is all-powerful and can withstand gunshot wounds, explosives, etc.,  and he appears to be invincible. I enjoyed watching his performance as he’s role is so conflicted.

I’m not sure the 3D glasses did much to enhance the movie. My thoughts are they darkened the film, which I prefer lighter in the first place. Overall, Pugh carries the movie from start to finish, and I enjoyed viewing her performance. I wasn’t a fan of the mismatched script and kept waiting for an interesting storyline to follow. Again, I would not bring children. The nonstop punching, slamming, deaths, and all-around violence are incessant.

Sarah Knight Adamson May 4, 2025

Hollywood 360 Radio Network podcast will post after it airs live:

 

The Four Seasons Netflix Series (TV-MA) ★★★

“The Four Seasons” follows six longtime friends who embark on a peaceful weekend getaway, which quickly becomes chaotic when one couple reveals their impending breakup. This 8-part series, streaming on Netflix starting May 1, features Tina Fey and Will Forte as Kate and Jack, respectively; Steve Carell and Kerri Kenney-Silver as Nick and Anne; and Colman Domingo and Marco Calvani as Danny and Claude. What I enjoyed about the show was its exploration of long-term marriages and the various pitfalls that come with them, as well as the significance of friendships. As Tina Fey mentioned on the Netflix website, “It feels lived-in.”

Co-Creator/Executive Producer Lang Fisher, Toby Huss as Terry, Marco Calvani as Claude, Colman Domingo as Danny, Kerri Kenney as Anne, Tina Fey as Kate, and Will Forte as Jack behind the scenes in “The Four Seasons” Netflix, JON PACK

Carell also praised the writing and casting of “The Four Seasons,” noting that it feels like these characters have been part of each other’s lives for a long time. There’s a shared understanding among them, an unspoken bond, and they communicate in a language unique to their group. Fey added that fellow writers Lang Fisher and Tracey Wigfield reimagined the 1981 cult classic film “The Four Seasons,” which starred Rita Moreno, Carol Burnett, and Alan Alda, who also directed the original. “It just felt very cozy and aspirational,” she remarked. Notably, Alda makes a cameo in one of the episodes, serving as a tribute to his legacy from the M*A*S*H TV series.

Netflix

 I appreciated the show’s realism; it felt easy to identify with the six adults, as well as Erika Leigh Henningsen, the young actress playing Carell’s new girlfriend. Henningsen, known for originating the role of Cady Heron in the Tony-nominated musical Mean Girls, did a great job portraying the challenges she faces as the seventh wheel in this close-knit group.

Although I enjoyed all the episodes, I felt that the series was a bit too stretched out, and the last few episodes could have been condensed. Overall, there’s something for everyone in this show, as the fantastic cast tugs at your heartstrings. I highly recommend the series for its mix of humorous and serious moments, which are all highly entertaining.

Sarah Knight Adamson©April 30, 2025

Stay tuned for my Hollywood 360 Radio Network review, posting after broadcast.

“The Residence” (TV-MA) Netflix Series ★★★★

I truly believe a star has been born in the Netflix TV-MA rated series “The Residence” starring Uzo Aduba as Cordelia Cupp a consultant with the Metropolitan Police Department. Yes, she’s that remarkable and steals every scene she’s in. To some up her demeaner, she’s highly intuitive, brilliant and unconventional. Yes, a perfect combination for an engaging detective character.

Courtesy of Netflix 2025

“The Residence” is based on the book written by Kate Anderson Brower “The Residence: Inside the Private World of the White House.“ Uzo Aduba as Cordelia Cupp and co-star Randal Park as an FBI Special Agent try to solve the death of the Chief butler, (Giancarlo Esposito) who dies during a state White House dinner. The entertainment for the evening is provided by Kylie Minogue the ‘Pop Princess‘ of Australia as she plays herself.

Courtesy of Netflix 2025

 Yes, it’s the United States White House which actually has enough screen-time to be a ‘character‘ in this who-dunnit, comedy-drama 8 Episode series. The engaging cast of suspects and characters, such as Susan Kelechi Watson, Lilly Schumacher, and Ken Marino, are also co-stars. I enjoyed this Clue-themed series located in the White House, as we acquire a bird’s eye view of the 132 rooms and the complicated staff that it takes to manage the ultra-mansion. The mixture of humor is excellent, as the lightheartedness of the show rings loud and clear. Cordelia Cupp is an intelligent and very intuitive character who is, oh, so much fun to watch.

Courtesy of Netflix 2025

The Residence can be described as a whacky Clue-like mystery, or Rian Johnson’s “Knives Out“ set in the upstairs, downstairs, and backstairs of the White House, among the eclectic staff of the world’s most famous mansion. Fans of “Only Murders in the Building,“ will be instantly captivated by the murder mystery and fascinated with the characters, all starting with the quirky Cordelia Cupp. The whole series plays like Agatha Christie mixed with White Lotus humor. It’s satire at its best, with unique characters, each with their own quirks and secrets, that offer a little something for everyone.

Hollywood 360 Radio Broadcast podcast: hollywood360radio.com/the-residence

Sarah Knight Adamson© April 25, 2025

 

The Amateur (R) ★★★

I’m a huge fan of Rami Malek’s work, as his Academy Award-winning portrayal in “Bohieman Rapsady’s ( 2018) as Freddy Mercury was fantastic. Rami knows how to embody a character and make it his own. In “The Amateur,” (2025) his role is that of a somewhat nerdy tech guy thrown into the world of espionage—again, Malek is highly believable. Based on the book of the same name by Robert Littell, here, he is out for revenge as he witnesses his wife’s death in a supposed terrorist attack.

SANTA MONICA, CA – JANUARY 17: Actor Rami Malek, winner of Best Actor in a Drama Series for ‘Mr. Robot’, poses in the press room during the 21st Annual Critics’ Choice Awards at Barker Hangar on January 17, 2016 in Santa Monica, California. (Photo by Jason Merritt/Getty Images)

At the CIA’s Decryption and Analysis division, Charlie’s friend, a field agent, has access to classified files that reveal information he needs to track down her exact killer or killers. Soon, Charlie grieves and bestows his own conclusions, and his mission for revenge continues. We view numerous flashbacks of Sarah’s killing as she was taken hostage. Using his extremely classified documents, he identifies the suspects — Belarusian criminal Mishka Blazhic, South African ex-special forces operative Ellish, former Armenian intelligence officer Gretchen Frank, and obscure architect Horst Schiller, Sarah’s killer. The entire film is centered on Rami’s determination, despite the odds, to find the killer and shoot him.

20th Century Fox Studios “The Amateur”

It’s actually not easy to carry an entire film on your own, yet Rami is spot-on in his performance. The flashbacks of their lives together add soft touches to this tragically sad film. Rami pleads with the CIA to train him; he demands to have resources to hunt down all four attackers. Of course, they try and reason with him, although to no avail. Even though Director Alex Moore camouflaged this politically motivated drone strike as a suicide bombing, they agreed to his demands and watched every move he made.

20th Century Fox Studios “The Amateur”

With outstanding actors Laurence Fishburne, Jon Bernthal, and Rachel Brosnahan, the film also takes us on a worldwide excursion to Marseille, Istanbul, and Madrid. It’s a wild ride with fantastic set pieces; check out the trailer with the hotel’s night-lite glass rooftop pool as the rigged scuba equipment decompresses the air between the pool’s sheets of glass. Yes, it shatters the glass and sends the person nosediving to an automatic death.

Again, Rami makes the role his own and is very believable. The film could have been shorter, as a few scenes could have been condensed although director James Hawes had different ideas. If you’re looking for a spy thriller, then “The Amateur” is for you!

Hollywood 360 Radio Broadcast: hollywood360radio.com/the-amateur-r-★★★/

Sarah Knight Adamson© April 24, 2025

SEE MORE REVIEWS

Interviews

Wide Variety of Winners at the 30th Critics Choice Awards posted to Roger Ebert

California’s sunshiny 70-degree weather set the tone for the 30th Critics Choice Awards held February 7 at Santa Monica Airport’s Barker Hanger, as huge smiles prevailed. In covering the awards for the last ten years, this Chicago-based critic always looks forward to the sunny, warm weather, although this year was the best as there was also an electric atmospheric vibe from talent.

SANTA MONICA, CALIFORNIA – FEBRUARY 07: Guests attend the 30th Annual Critics Choice Awards at Barker Hangar on February 07, 2025 in Santa Monica, California. (Photo by Kevin Winter/Getty Images for Critics Choice Association)

Streaming live on the E! channel, Chelsea Handler, the prior year’s host’s opening monologue was hysterical.

My article is posted to Roger Ebert: Roger_Ebert_Critics_Choice_2025

More Photos:

Jeff Goldblum “Wicked” (2024)

 

Demi Moore “The Substance” (2024)

 

Jesse Eisenberg “The Social Network” (2010), Actor, “A Real Pain” (2024) Writer, Director, Actor

Ariana Grande a multi-platinum, Grammy Award-winning singer, songwriter and actress. “Wicked” (2024)

Boen Yang ‘Saturday Night Live’ cast member, “Wicked” (2024)

 

Melissa Rauch ‘Night Court’ (2023) NBC Producer, Actress

Actress Melissa Rauch spoke with me as she’s a producer and main star of NBC’s “Night Court,” which premiered in 2023, portraying the lead role of Judge Abby Stone. She and her husband, Winston Rauch, co-produce the show. She talked about her character’s optimistic point of view as a quality she admires. The show is the continuation of the original Night Court series 1987, and John Larroquette, the Judge from the original show, appears in the series playing her father. I’d be remiss if I didn’t mention the © purple chiffon dress she was wearing.

Again, my full article on Roger Ebert: Roger_Ebert_Critics_Choice_2025

Sarah Knight Adamson© Feburary 24, 2025

Paddington in Peru (PG) ★★★½

It’s been seven years since the wildly popular “Paddington 2” (2017) was released with a stellar performance by Hugh Grant and cast set in London. Now, we are given Paddington’s delightful back story in the prequel “Paddington in Peru.” As a US citizen with English heritage who has been fortunate enough to visit London over the past 25 years on countless occasions, I was unaware of the city’s love of that adorable furry red-hatted coat-wearing bear with his tag: “Please look after this bear. Thank you.” My eyes are now wide open, as I’ve become aware of his message of acceptance and kindness and the incredible ‘Paddington Bear Fan Club’ with over 90K members, which I joined. That said, I thoroughly appreciated the prequel to the two Paddington Bear movies. Yes, a hard act to follow, yet “Paddington in Peru” stands on its own as a wonderful family film that all will enjoy.

Sarah Knight Adamson, and her Paddington viewing “Paddington in Peru” October 2024 London

In full disclosure, I was fortunate enough to see the movie in London during the opening on November 14, 2024, at the Cruzon theater. The film starts with a written message informing viewers that the movie takes place a long time ago, in the jungle of Peru, where Paddington was born. With loving parents, we see him happily learning the ways of survival and trust. Although tragically, his parents die in an earthquake when he is a baby, and his Aunt Lucy and Uncle Pastuzo care for him. When a falling tree kills Uncle Pastuzo, Aunt Lucy moves into the ‘Home for Retired Bears’ and sends Paddington to London. There, he lives with the Brown family, as shown in the first and second films. Here, we see his life in Peru, which is educational for all.

Check out Sarah’s Paddington standing on the ledge in  the poster in London! November 14, 2024

“Paddington in Peru” surpassed my expectations; it was filmed in a location in Peru (as the ending credits state) and taught children about the area’s terrain, culture, and wildlife. That’s exactly what I wanted to see; as a former teacher of 9- and 10-year-old gifted students, I wrote a 3-week unit of study on the Amazon Rainforest. I know first-hand of the Peruvian Amazon, which is the second-largest expanse of the Amazon, after the Brazilian. It covers nearly 60% of Peru’s landscape and is the life force for everything around it, including 12,810 species, of which the only bear native to the area is the spectacled bear.

Oliva Coleman, the singing nun!

In “Paddington in Peru, “we get a glimpse of Paddington’s beginnings, voiced by the talented Ben Whishaw. We meet his family and witness his life in the jungle. Aunt Lucy, a character who adds a special touch to the story, is beautifully portrayed. The casting of Olivia Coleman as a cheerful singing nun is a stroke of brilliance, with her performance at times steals the show. Other cast members, including The Browns’ housemaid Mrs. Bird (Julie Walters) and Hugh Bonneville and Emily Mortimer (replacing Sally Hawkins) as Mr. and Mrs. Brown, add depth and compassion to the narrative.

(L-R) Samuel Joslin, Madeleine Harris, Paddington, Emily Mortimer, Hugh Bonneville, and Julie Walters in PADDINGTON IN PERU.

Antonio Banderas is new to the series as Captain Hunter Cabot, a swashbuckling sea captain who helps the Brown family search for Paddington’s missing aunt, Lucy. Cabot is a descendant of a long line of treasure hunters who are obsessed with finding the Inca gold in El Dorado. Banderas also plays Cabot’s ancestors, including an Edwardian explorer and a female pilot. I was concerned about Antonio Banderas’s voice, as he’s had trouble with his vocal cords, although he sounded fine in the film, and I’m sure he’s pleased.

The waterfall scenes were also gorgeous, with fantastic cinematography. It’s heartwarming, sentimental, and exciting, and a stand-alone film; comparing it to the others doesn’t prove any points. As for complaints, I prefer the film, didn’t start with so much yelling by adults, which was unnecessary and could be frightening to children. Otherwise, I enjoyed it immensely, so much so that I contacted the original author, Michael Bond’s daughter Karen Jenkel, the now owner and managing director of Paddington and Company Limited, while I was in London. We chatted by text, and I have interviewed her on behalf of the new Paddington film. Check back during ‘Women Writers Week’ in March posted to Roger Ebert .com.

Karen Jankel attends the Paddington in Peru World Premiere in Leicester Square on 3 November 2024. The film will be released in cinemas on 8 November 2024

Douglas Wilson served as director of the film, with producer Rosie Alison and a team of executive producers, including Anna Marsh, Ron Halpern, Dan MacRae, Paul King, Jeffrey Clifford, Rob Silva, and Tim Wellspring. The screenplay is by Mark Burton and Jon Foster & James Lamont, from a story by Paul King, Simon Farnaby, and Mark Burton. The character “Paddington Bear” was created by Michael Bond.

Columbia Pictures and Stage 6 Films present a Studiocanal presentation of a Marmalade Pictures Production, Paddington, in Peru.

Sarah Knight Adamson© January 22, 2025

Hollywood 360 Radio Network Broadcast Review to post soon:

 

 

 

Chaz Ebert Discussion “It’s Time to Give a FECK” Book Tour

Chaz Ebert asked me to interview her for the start of her book tour at Anderson’s Bookshop in Naperville, Illinois. What a great evening it was to listen to Chaz further explain some of the concepts presented in her book. “It’s Time to Give a FECK: Elevating Humanity Through the Qualities of Forgiveness, Empathy, Compassion, and Kindness” is a heartfelt, important, and wonderful book for all. The book delves into the power of forgiveness, the impact of empathy, the role of compassion in society, and the significance of kindness. I also believe the book is a ‘Call to Action.’

Sarah Knight Adamson and Chaz Ebert The Kickoff of Chaz Ebert’s New Book. Anderson’s Bookshop May 2, 2024

I began by congratulating Chaz on writing such an important and timely book. I also wanted everyone to know that she was a Naperville resident at one time, and her children went to High School here. It’s fortuitous that Anderson’s Bookshop began her worldwide book tour. I also stated that we are all thrilled that you chose Naperville to launch your book.

In giving everyone a quick background of our history, I began with my first film screening as a film critic in 2007, which was 17 years ago. At that time, I met Chaz and Roger at the Lake Street screening room in Chicago. The small theater seats about 45 people. I also noticed that Roger got up and adjusted the heat. Yes, that was his home away from home. I saw both of them many times after that at film screenings in Chicago and other events.

Sarah Knight Adamson and Chaz Ebert The Kickoff of Chaz Ebert’s New Book. Anderson’s Bookshop May 2, 2024

As I stood in Anderson’s Bookshop, I couldn’t help but feel a sense of nostalgia. The last time I was here with Chaz was for Roger’s book tour of his memoir, ‘Life Itself,’ in October 2011. It was a special evening, one that I still cherish, especially the interview he graciously agreed to.

In April 2013, Roger announced that his website would continue with himself and Chaz, along with other writers, heading it up. Shortly thereafter, he passed away, saying he was taking a ‘leave of presence.’

You asked me to interview Liv Ullman during the Chicago Film Festival for her film Miss Julie the following year, 2014. She wrote the screenplay and directed Jessica Chastain and Colin Farrell in the movie. It’s been great covering events and interviews for RogerEbert.com over these past 10 years, and I’m truly honored.

Tonight, we are here to discuss your heartfelt and very wise book,
Can you please tell us about the whimsical title and the ‘thoughts behind’ the ‘play on words for the title?

Chaz went through each element, saying that forgiveness is the hardest thing for most people. We discussed people in her book who forgave as a way of healing.

We also talked in length about the concept of ‘simple acts of kindness’ and their impact on society and how small gestures can create a ‘pay it forward’ action. I gave an example of how I try to say something nice to a stranger, engage in conversation, or even strike a smile. It’s fantastic to see a person’s eyes light up by simply acknowledging their presence.

Chaz grew up in a large family of nine siblings, which I can relate to as I’m the oldest of five. She talked about how her parents were so very loving and encouraging; they wanted the best for all of their children.

Roger’s film reviews played a big part in our families’ discussions about movies. As a classroom teacher, I wrote a lesson on critiquing books and had the students discuss their opinions in a Siskel/Ebert style, sporting the thumbs up or thumbs down. Roger also included me in a few of the books he wrote, as I asked him questions and thanked him at times.

Chaz talked about Roger’s belief that movies as an art form could create empathy for people. And why it’s important for us to view films that may be out of our viewing interests. We talked about Danny Boyle’s eye-opening film “Slumdog Millionaire” (2008), showing the atrocities of India in which their small children beg for food and money. Shockingly, some are blinded to create more sympathy for a child. It won ten Academy Awards in 2009, including Best Picture; the lead actor, Dev Patel, is mesmerizing in the film.

I asked Chaz about the extrasensory connection when Roger lost his ability to speak and that even after his death, there has been a connection. It’s an intriguing and private part of their lives. Chaz began to tear up a bit as she recalled that at times, she would be thinking about something she wanted to ask Roger, and before she knew it, he would wheel himself into the room where she was standing.

One of my Garden Club friends told me that after her husband had passed away, she could hear him speaking to her in her brain. He’d give advice or tell her everything was going to be okay. Chaz relays similar experiences in the book and talks about a few to the group.

On a lighter note, I asked Chaz about her love of music and dancing. She recalled a Prince concert and that he had called several people to dance with him to the stage. Later, all the dancers left the stage except Chaz, she just kept dancing and cherishes that memory. I, too, enjoyed Prince’s music and told a short story about why I wear hearing aids; when Prince was singing “I Would Die For You” on stage directly in front of me, yes, I was in the first row, I couldn’t leave even though the music was very loud. My husband Bill got up and walked out of the auditorium. How could I leave when I felt Prince was singing to me?

One of the main facets of the book that astounded me was the extensive research that went into writing the book. Chaz discussed her research team and the importance of fact-based findings. When asked what surprised her the most, she talked about stories of “Forgiveness.” She gave examples of horrific crimes in which the family forgives the criminal, as it frees you and keeps you from being imprisoned by the resentment, pain, and suffering. She has given the example of forgiveness in showing the film “Disturbing the Peace” (2016) at Ebertfest of which I attended the showing in 2018 as it was the first recipient of the Ebert Humanitarian Award. Director Stephen Apkon and co-producer Marcina Hale returned to the festival to discuss how their film has been shown worldwide and embraced by both Israelis and Palestinians.

I spoke about the journaling sections in the book are terrific as well as the exercises to form a plan of action. Chaz appreciated that, as she feels that journaling is a very important tool incorporated into the book. She herself journals and speaks about the benefits.

In closing, I wanted to discuss the main takeaways from the book. Using the elements of FECK Forgiveness, Empathy, Compassion, and Kindness not only leads to our own sense of purpose and happiness but also allows us to have a greater impact on others. I think this concept is simply brilliant, and it is something we all can use in our daily lives as practical steps and warm encouragement on how to make the world more humane and connected.

You can join the “It’s Time to Give a FECK: Elevating Humanity Through the Qualities of Forgiveness, Empathy, Compassion, and Kindness” newsletter at book signings and event are listed.

Order the book here: https://www.simonandschuster.com/books/Its-Time-to-Give-a-FECK/Chaz-Ebert/9781637632475

Sarah Knight Adamson May 2, 2024

The Bikeriders (R) ★★★★

The Bikeriders” has an all-star cast, with Jodi Comer, Austin Butler, Tom Hardy and Michael Shannon. The movie is inspired by a photo book of the same name by Danny Lyon, written in 1968. Jeff Nichols “Loving” (2016) wrote and directed the script. The movie takes place near Chicago and tells the beginning of a group of motorcycle friends who form a gang named the Vandals. Butler is a wild child and has several scrimmages with violence at the start of the film to set up his character. He meets Comer and is smitten. They soon marry, and they navigate their lives according to the road map that bike leader Tom Hardy sets out. The performances are noteworthy, along with the authentic period dialogue that sets the tone.

The film charts the rise and fall over ten years of the Chicago suburb-based Outlaw Motorcycles Club, which ultimately changed from a local riding club to a disturbingly violent gang. The club’s founder and leader, Johnny (Tom Hardy), struggles to enforce the rules he’s making; Benny (Austin Butler) is his captivating but dangerously unpredictable follower; it’s Kathy (Jodie Comer), the wife of Benny, who has the club all figured out—she thinks they’re all idiots. She’s written as a strong-willed character in a yin-yang situation with Benny as he gravitates toward Johnny, somewhat of a father figure. Nichols has said this is not your typical love triangle in which two guys are vying over a girl; he thought it would be interesting for a woman, Kathy, and the club leader, Johnny, to fight over a young man, Benny.

By blending comedy, violence, and moments of tenderness, Nichols crafts a modern gangster story that stands out for its unique perspective-it’s a biker film told from a woman’s point of view. This fresh take is a reason to champion the film, as it allows Kathy to shine as a strong woman and a role model. The screenplay empowers her to stand up for her beliefs, make her own decisions, and solve her own problems, without relying on a male savior.

Looking back from a woman’s point of view and my experiences with motorcycles growing up in Los Angeles, I realize that motorcycles were standard; their presence was like no other on the highways, especially the 405 freeway. My father would remark, “Watch those bikers for me, kids,” as he was always on high alert with his driving when they were close to his family, as the bikers were known to dart in between traffic. As the oldest of five, he usually depended on me as a lookout. Seeing the Hells Angels riding together was an ominous sight to behold, as their ultra-loud sound is both deafening and exciting. What fascinated me were their black leather jackets with their iconic logo, very cool black leather biker hats, and leather side-fringed pants.

Undoubtedly, this is a male-centric story, focusing on a club or brotherhood that prioritizes mutual protection. The women of that era had distinct roles, often riding on the backs of the bikes, preparing meals, and caring for the children. They were not part of the inner circle or decision-making. However, Kathy breaks this mold. She is a strong female character, a beacon of self-sufficiency, and a progressive role model, not in need of a male savior.

During my Zoom interview with Jeff Nichols, I asked him why he wanted to tell this story from a woman’s point of view. He said that the ultimate truth is Kathy is the most interesting person in the book. He fell in love with the way she talked about herself, her relationship with Benny, and her relation to the club, including the biker guys. She was funny but also shockingly honest. There was no filter. It could be who she was then or because she talked into Danny Lyon’s reel to-reel tape recorder. Another reason she’s the perfect person to view this club and these people is that she is both an outsider by the benefit of being a woman and an insider because she is intimately involved in this club. So, with hindsight, only a woman could have this special kind of access.

Comer’s work here is impressive as she’s the one so often with the moral and intellectual upper hand. Nichols said, “That is one of the best parts of that love triangle in that relationship dynamic. This woman is sitting there dealing with these men who can do amazing things and can be incredibly beautiful, attractive, and alluring. Still, they need help to do simple things in terms of understanding themselves or enunciating themselves, particularly when talking about their masculinity.”

I find it fascinating that Nichols has such an astute consciousness of women in his writing. As Johnny, a man of few words, is shown to solve most of his problems with the club through violence or intimidation, he’s totally at a loss for words, shocked that a woman would confront him. It’s both enlightening for women and perceptive to see that women can sometimes cut to the chase despite men’s macho exteriors.

As a female film critic with over 20 years of experience, I always appreciate when filmmakers incorporate more women into a film’s storyline, particularly in a film like this where the male characters dominate. Kathy is a shining example of a strong, positive, independent female character, willing to go the distance for her husband’s well-being and her own safety. Her character represents the untold stories of women in motorcycle clubs across the country, making her role in the film all the more significant.

The full article is posted to RogerEbert.com, where I discuss my interview with Peter Fonda during a fan event for the movie “Easy Rider.”

TheBikeriders_RogerEbert_SKA

 

Rob Lorenz Interview “In the Land of Saints and Sinners”

For the film “In the Land of Saints and Sinners,” I was invited to speak with the director, Rob Lorenz. We had a Zoom interview, and it was informative. We talked about his Irish heritage, Liam Neeson’s Irish accent, the beautiful Irish coastal cliff location and co-star Kerry Condon.

Rob began, “Hi Sarah, I think we’ve spoken before in Chicago. I said, yes, great memory, it’s so great to speak with you again; we met in person for an interview at the Four Seasons in Chicago on September 4, 2012, for Clint Eastwood’s role in “Trouble with the Curve.” I remember we talked about my radio host Carl Amari, whom you know, and I’m pleased to tell you I’m still on the radio with him every Saturday night. We’re going on 15 years this April. Carl said to tell you hi! Rob said, please tell Carl I said hi back!

Sarah Knight Adamson: You know I really loved your movie “In the Land of Saints and Sinners” for two reasons: I’m Irish, and my great-great grandfather’s surname on my mother’s side is O’Daughtery. It was changed when he came to America in the 1800s. I’m also a huge fan of Liam Neeson. The cinematography really stands out in your film. What was your plan for that?

Rob Lorenz: Well, when I read the script, which described this little town, I went to the internet and started looking. I’d never been there. I began scouting the location, and a scout wanted to take me to all these very convenient places in Dublin, among others. And I said, okay, but I want to see this place. I want to understand why the script’s writer set it here. And he said, well, okay, but it’s very remote.

It’s a three-and-a-half-hour drive from everything. But when I got there, it was just stunning. It is beautiful. It’s where the North Atlantic just slams Ireland, and so it creates these beautiful epic cliffs. And I said, oh, now I get it, and we have to shoot it here. Also, the community is kind of a picture in time. There’s very little modern architecture there. You really do feel like you’re stepping back into the seventies or sixties. I was keen on shooting it there and trying to capture that beauty as sort of a contrast to the dark aspects of this story, because it was, especially the first time I read the original script, it was really dark. I wanted to balance that with the openness and beauty of the small coastal town.

SKA: Well, you did an amazing job. My husband watched the film with me, and he concurs as we’ve been to Ireland several times.

RL: Our great-grandparents may have known yours As my great-grandmother was from there. She’s a Duffy and married the person she married in OC Callahan. So my mom was in OC Callahan, so maybe they crossed paths back there in Ireland.

SKA: Oh my gosh, that’s amazing. Liam Neeson—oh my goodness, he’s one of my favorite actors ever. I’ve been following him, of course, since “Schindler’s List.” What does he bring to this movie? And I know he is Irish, too.

RL: He brings everything. First of all, he’s just a really, really terrific human being. He’s a wonderful person to spend time with. He’s such a pro. He’s so photogenic. He just has that heroic stature, and he towers over people. He’s got that velvet booming voice. It’s almost a trick to try and underplay it a little bit so that he is more relatable. But he is such a relatable guy. That’s what his charm is.

He’s Irish, and it is interesting to watch the movie because he didn’t have to think about his accent in this role, which is unique for him. He’s always having to put a little bit of an American tinted or else just kind of clean it up a little bit for everyone. But this time, he didn’t have to worry about that. And it’s really interesting to, it really started to come out as he was talking to other cast members who were Irish, and they had these accents, and his started to show, and a few times I was like, what did he say? We had to go back and get another take or clean it up a little bit later so that we could understand it.

SKA: Oh, thank you for that. I love that story. Your message in the film, I would assume, is one of redemption. But I’m sure there’s a little more to that. Could you talk about that?

RL: Yes, correct. It is layered, which I appreciate it. The film is definitely layered. Yeah. Well, I liked the fact that each of the characters had their own moral code. They all had a reason to do what they were doing. And that comes down to the last line from Liam. ‘We all have our reasons,’ and so there’s a believability and authenticity to each of them because we understand their point of view.

I mean, it certainly is a story of redemption for Liam’s character. He has created all these friendships with all these folks in town, and he wants to preserve that. But he comes to the point where he realizes the only way he can protect them is to expose himself to them, which is going to mean sacrificing his relationship. He’s not going to be able to stay there. And so that’s the ultimate dilemma. And eventually, he, well, I won’t spoil it, but that’s what he’s up against.

SKA: As far as I guess for others watching that aren’t sinners, people of good character watching, I felt it sent a wonderful message to everyone. You have no idea how you can change somebody’s life by just going that extra step.

RL: Yes, and you see that in his relationship with Kevin, who Jack Gleason plays, that young guy is such a terrific actor. I was so thrilled to get him for this part. And because that’s a tricky part. There were a lot of people that wanted to play it, but he had got to be a little bit crazy, and you could believe that he was a killer, and yet he’s got to be likable, and he’s got to be because you want this relationship to be believable. And Liam’s character, Finbar, is trying to counsel him and guide him away from the misery that he experienced. And so you can really appreciate that aspect of his character.

SKA: I was so into the film, and I’m like, oh, these poor people are living there during this time. It was just so awful. And then I loved it when you prefaced California, and, yeah, California at the time was really cool. Really groovy.

RL: I did like that character a lot, and so I was trying to build up that relationship a little bit more because I liked that relationship, and I thought it sort of captured, or  showcased the good side of Finbar. And so I wanted to spend as much time with them as possible without slowing the story down. But yeah, and certainly at that time in the early seventies, this idea of California was this kind of dreamland before it got corrupted. And so it made sense that that was something out there that he might be reaching towards.

SKA: Sure, no, I really appreciated that. Were there any scenes that Liam collaborated with you? I read that you do at times. You are a collaborative director, which is terrific.

RL: Well, maybe I mentioned he’s the one who read the script first, and he was. He read it, and he liked it. And so, he suggested me to direct. So, he thought I might like it, which I wonder why anybody would’ve thought of me otherwise because this all takes place in Ireland. And I don’t think anybody knew I had any connection to that country. But yeah, I loved the story. But I also mentioned it had a Western flavor to it. He’s in this small town, and these outlaws come into town, and the sheriff isn’t entirely up to the job. And so this guy has to pull down his gun, take the gun off the wall, and figure out how to save everybody. So that I love.

But in terms of collaboration, I mean, I learned a lot from Clint [Eastwood] in terms of letting people show you what they can bring to the table instead of trying to micromanage everything. And it’s a really powerful quality to let the production designer, the DP, and the actors come in and say, Hey, how about this? Before you say, this is what I want. Because you never know what they’re going to do and what they will offer. And there are many times when it’s much better than what I had in mind. So, in that sense, I love to let people know I always have a plan because I’ve got a schedule and a budget, and I’ve got to get it done so I know what I’m going to do. If nobody has any ideas, this is what we’re doing. But if people come in with other thoughts, I’m all ears.

SKA: Sure. Was Liam’s  son, Michael, on set? I interviewed him about five years ago for a film in which he and his father were in “Made in Italy.”

RL: Yeah, right. No, he didn’t come by. He had read for a part, but it didn’t work out schedule-wise. So no, he didn’t come by. But Liam had a lot of people around him who are like his family, and he has a lot of loyalty from the people he works with.

SKA: My last question, Kerry Condon. Oh my gosh. What does she bring to your film?

RL: Yeah, she was terrific. She was one of the first people I wanted for that part. And the people handling the money were more interested in finding somebody well-known at the time. ‘Banshees’ hadn’t come out, but I’ve always enjoyed her. And I had made a point; I wanted to cast all Irish actors if I could because I felt like the accents were so important. I wanted everything to feel as authentic as possible, and I couldn’t decipher the differences in these accents. So I needed Irish people to do that. And so she was on my list, and it just so happened that some of the more prominent names the financiers wanted weren’t available. So I got my wish, and she was just terrific. She’s such a good actress and has the same qualities as Liam in that she can be soft and believable yet tough as nails. And that’s what I really wanted. I wanted to believe that this villain was a threat to somebody as powerful as Liam. And she’s leading these two other guys, too. And she’s the boss, and so she had to be able to take command. And Carrie is just such a wonderful, wonderful actress. She just got it. She barely needed any direction at all.

SKA: That’s fantastic. I want to thank you so much for speaking with me today, and I wish you the best of luck with the film.

RL: Oh, thank you very much. It was a pleasure.

Sarah Knight Adamson© March 28, 2024

Check out the Zoom interview with Rob Lorenz: https://bit.ly/Saints_Sinners_Rob_Lorenz

Dune: Part Two (R) ★★★★

Once in a while, a sweeping saga masterpiece comes along, such as 1977’s “Star Wars,” retroactively retitled “Star Wars: Episode IV – A New Hope” by George Lucas or Peter Jackson’s “The Lord of the Rings trilogy” 2001-2003 or James Cameron’s (2009) “Avatar”— “Dune: Part Two” is most definitely in the same league.

It not only continues the brilliance of the first film it sets a new bar for just how good sci-fi films should be. With an engaging story and a cast at their very best, along with stunning visuals, this is a masterpiece. As with the Oscar-winning first installment, Villeneuve shows visual mastery of scale and scope, along with impressive cinematography.

 

Viewing the film in an IMAX theater with Dolby sound brought back memories of the prior films listed above. As a result, I recommend seeing it on the most giant screen possible. Based on Frank Herbert’s idolized sci-fi novel, some have said the movie could never be made due to the book’s complexities and the visual science fiction effects. I’m here to tell you it’s been done as director Dennis Villeneuve has succeeded in a colossal way.

Part two follows the journey of Paul Atreides (Timothee Chalamet) very closely after the first one ends, as he unites with Chani (Zendaya) and the Fremen, who are not free men. He’s also on a path of revenge against those who destroyed his family, with the help of a Fremen tribal leader named Stilgar (Javier Bardem), who is convinced that Paul is the chosen one. Stilgar believes the mythology points to Paul as the savior, the Emo King. Paul tries to blend with the Fremen, forming a relationship with a young warrior named Chani. He passes several tests given by the Fremen. He takes the tribal name of Muad’Dib, vowing vengeance against the Harkonnens for control of Arrakis and revenge for his father’s death.

During the combat scenes, watching bodies fall from the sky as colossal ships burst into flames appears virtually like an opera when looking at a film’s style. As Rabban Harkonnen, Dave Bautista is a wartime leader whose situation has exceeded his abilities, while Stellan Skarsgard has shades of Jabba the Hutt. I also enjoyed Bautista’s performance as he dug deep into the role, and it is eerily believable. You’ll feel immersion into vast worlds of endless sand that are only traveled with precise movements. Also, in a parallel scene, on another planet, Emperor Shaddam IV (Christopher Walken) and his daughter, a Princess, Irulan (Florence Pugh), speak with Bene Gesserit’s Reverend Mother (Charlotte Rampling) about the state of affairs. Irluan provides voice-over or narration to keep audiences up to speed on what is happening.

You may be wondering about Austin Butler’s psycho-path role as Feyd-Rautha, the evil villain and the star of the movie’s most haunting set, the Harkonnen’s home planet of Giedi Prime, shown in nearly all black and white with infrared imagery. There’s a Gladiator-style stadium that serves as an arena for maintaining his champion status as a butcherer of drugged-up prisoners. Baron Vladimir Harkonnen, the ultra-evil humongous blob, tests his worth by sending former Atreides soldiers to fight. Again, all of Butler’s scenes are filmed in black and white, delivering the feeling of everlasting doom and horror. He’s the sociopathic nephew of the Baron, who gives a realistic, organic performance.

I enjoyed seeing all of the famous stars in the film; Timothée Chalamet, Zendaya, Rebecca Ferguson, Austin Butler, Josh Brolin, Stellan Skarsgård, Dave Bautista, Javier Bardem, and Florence Pugh are all fantastic in their roles. Ultimately, Chalamet is the most transformed, taking on his new role of a leader with some surprises along the way. He rises to the occasion, speaking with astute confidence and determination; his transformation and stellar acting are exciting to view as Paul chooses between the love of his life and the fate of the known universe as he attempts to prevent a horrific future that only he can foresee.

Director Denis Villeneuve, Dune: Part One, and Dune:Part Two

On a side note, I was invited to a Zoom Press conference with director Denis Villeneuve, and found it very insightful. Especially when he was asked about the epic scope of the film yet keeping the emotional heartbeat.

He replied: It’s everything epic and the action, and that is not something that is that difficult to do. The thing that is difficult to do is to make sure that we don’t lose focus on the intimate relationship more precisely, the story between Paul and Chani. That’s the heartbeat, it’s like their relationship will unfold all drama of the film. Through the eyes of Chani and Paul, we feel the political pressure, the cultural pressure, the oppression. I really constructed the movie focused on the tension between them. I knew that and I kept saying to my crew, “If we don’t believe in their relationship, we don’t have a movie.” And that was my main focus during the whole shoot, to take care and to be as close to them as possible.

If you haven’t seen “Dune: Part One”, I’d suggest watching that first, as most of the characters are set up, especially Paul and his family’s transition. You will be blown away by “Dune: Part 2”, as it reminds you that a broad-scale blockbuster can be done with artistry and flair. You may also have flashbacks to other masterpiece-epic films of the past.

Directed By: Denis Villeneuve

Screenplay By: Denis Villeneuve and Jon Spaihts

Based On: The novel Dune by Frank Herbert

Produced By: Mary Parent, Cale Boyter, Denis Villeneuve, Tanya Lapointe and Patrick McCormick

Executive Produced By: Joshua Grode, Jon Spaihts, Thomas Tull, Herbert W. Gains, Brian Herbert, Byron Merritt, Kim Herbert, Richard P. Rubinstein and John Harrison, with Kevin J. Anderson serving as creative consultant

Starring: Timothée Chalamet, Zendaya, Rebecca Ferguson, Josh Brolin, Austin Butler, Florence Pugh, Dave Bautista, Christopher Walken, Léa Seydoux, Souheila Yacoub, with Stellan Skarsgård, with Charlotte Rampling, and Javier Bardem

Studio: Warner Bros. Pictures

Rated: PG-13 for “sequences of strong violence, some suggestive material and brief strong language.”

Run Time: 166 minutes (2 hr 46 min with credits)

Sarah Knight Adamson© March 12, 2024

Click here to listen to the Hollywood 360 Radio Network Podcast: https://bit.ly/H360_Dune_2

 

SEE MORE INTERVIEWS

Film Festivals and Events

Wide Variety of Winners at the 30th Critics Choice Awards posted to Roger Ebert

California’s sunshiny 70-degree weather set the tone for the 30th Critics Choice Awards held February 7 at Santa Monica Airport’s Barker Hanger, as huge smiles prevailed. In covering the awards for the last ten years, this Chicago-based critic always looks forward to the sunny, warm weather, although this year was the best as there was also an electric atmospheric vibe from talent.

SANTA MONICA, CALIFORNIA – FEBRUARY 07: Guests attend the 30th Annual Critics Choice Awards at Barker Hangar on February 07, 2025 in Santa Monica, California. (Photo by Kevin Winter/Getty Images for Critics Choice Association)

Streaming live on the E! channel, Chelsea Handler, the prior year’s host’s opening monologue was hysterical.

My article is posted to Roger Ebert: Roger_Ebert_Critics_Choice_2025

More Photos:

Jeff Goldblum “Wicked” (2024)

 

Demi Moore “The Substance” (2024)

 

Jesse Eisenberg “The Social Network” (2010), Actor, “A Real Pain” (2024) Writer, Director, Actor

Ariana Grande a multi-platinum, Grammy Award-winning singer, songwriter and actress. “Wicked” (2024)

Boen Yang ‘Saturday Night Live’ cast member, “Wicked” (2024)

 

Melissa Rauch ‘Night Court’ (2023) NBC Producer, Actress

Actress Melissa Rauch spoke with me as she’s a producer and main star of NBC’s “Night Court,” which premiered in 2023, portraying the lead role of Judge Abby Stone. She and her husband, Winston Rauch, co-produce the show. She talked about her character’s optimistic point of view as a quality she admires. The show is the continuation of the original Night Court series 1987, and John Larroquette, the Judge from the original show, appears in the series playing her father. I’d be remiss if I didn’t mention the © purple chiffon dress she was wearing.

Again, my full article on Roger Ebert: Roger_Ebert_Critics_Choice_2025

Sarah Knight Adamson© Feburary 24, 2025

Chaz Ebert Discussion “It’s Time to Give a FECK” Book Tour

Chaz Ebert asked me to interview her for the start of her book tour at Anderson’s Bookshop in Naperville, Illinois. What a great evening it was to listen to Chaz further explain some of the concepts presented in her book. “It’s Time to Give a FECK: Elevating Humanity Through the Qualities of Forgiveness, Empathy, Compassion, and Kindness” is a heartfelt, important, and wonderful book for all. The book delves into the power of forgiveness, the impact of empathy, the role of compassion in society, and the significance of kindness. I also believe the book is a ‘Call to Action.’

Sarah Knight Adamson and Chaz Ebert The Kickoff of Chaz Ebert’s New Book. Anderson’s Bookshop May 2, 2024

I began by congratulating Chaz on writing such an important and timely book. I also wanted everyone to know that she was a Naperville resident at one time, and her children went to High School here. It’s fortuitous that Anderson’s Bookshop began her worldwide book tour. I also stated that we are all thrilled that you chose Naperville to launch your book.

In giving everyone a quick background of our history, I began with my first film screening as a film critic in 2007, which was 17 years ago. At that time, I met Chaz and Roger at the Lake Street screening room in Chicago. The small theater seats about 45 people. I also noticed that Roger got up and adjusted the heat. Yes, that was his home away from home. I saw both of them many times after that at film screenings in Chicago and other events.

Sarah Knight Adamson and Chaz Ebert The Kickoff of Chaz Ebert’s New Book. Anderson’s Bookshop May 2, 2024

As I stood in Anderson’s Bookshop, I couldn’t help but feel a sense of nostalgia. The last time I was here with Chaz was for Roger’s book tour of his memoir, ‘Life Itself,’ in October 2011. It was a special evening, one that I still cherish, especially the interview he graciously agreed to.

In April 2013, Roger announced that his website would continue with himself and Chaz, along with other writers, heading it up. Shortly thereafter, he passed away, saying he was taking a ‘leave of presence.’

You asked me to interview Liv Ullman during the Chicago Film Festival for her film Miss Julie the following year, 2014. She wrote the screenplay and directed Jessica Chastain and Colin Farrell in the movie. It’s been great covering events and interviews for RogerEbert.com over these past 10 years, and I’m truly honored.

Tonight, we are here to discuss your heartfelt and very wise book,
Can you please tell us about the whimsical title and the ‘thoughts behind’ the ‘play on words for the title?

Chaz went through each element, saying that forgiveness is the hardest thing for most people. We discussed people in her book who forgave as a way of healing.

We also talked in length about the concept of ‘simple acts of kindness’ and their impact on society and how small gestures can create a ‘pay it forward’ action. I gave an example of how I try to say something nice to a stranger, engage in conversation, or even strike a smile. It’s fantastic to see a person’s eyes light up by simply acknowledging their presence.

Chaz grew up in a large family of nine siblings, which I can relate to as I’m the oldest of five. She talked about how her parents were so very loving and encouraging; they wanted the best for all of their children.

Roger’s film reviews played a big part in our families’ discussions about movies. As a classroom teacher, I wrote a lesson on critiquing books and had the students discuss their opinions in a Siskel/Ebert style, sporting the thumbs up or thumbs down. Roger also included me in a few of the books he wrote, as I asked him questions and thanked him at times.

Chaz talked about Roger’s belief that movies as an art form could create empathy for people. And why it’s important for us to view films that may be out of our viewing interests. We talked about Danny Boyle’s eye-opening film “Slumdog Millionaire” (2008), showing the atrocities of India in which their small children beg for food and money. Shockingly, some are blinded to create more sympathy for a child. It won ten Academy Awards in 2009, including Best Picture; the lead actor, Dev Patel, is mesmerizing in the film.

I asked Chaz about the extrasensory connection when Roger lost his ability to speak and that even after his death, there has been a connection. It’s an intriguing and private part of their lives. Chaz began to tear up a bit as she recalled that at times, she would be thinking about something she wanted to ask Roger, and before she knew it, he would wheel himself into the room where she was standing.

One of my Garden Club friends told me that after her husband had passed away, she could hear him speaking to her in her brain. He’d give advice or tell her everything was going to be okay. Chaz relays similar experiences in the book and talks about a few to the group.

On a lighter note, I asked Chaz about her love of music and dancing. She recalled a Prince concert and that he had called several people to dance with him to the stage. Later, all the dancers left the stage except Chaz, she just kept dancing and cherishes that memory. I, too, enjoyed Prince’s music and told a short story about why I wear hearing aids; when Prince was singing “I Would Die For You” on stage directly in front of me, yes, I was in the first row, I couldn’t leave even though the music was very loud. My husband Bill got up and walked out of the auditorium. How could I leave when I felt Prince was singing to me?

One of the main facets of the book that astounded me was the extensive research that went into writing the book. Chaz discussed her research team and the importance of fact-based findings. When asked what surprised her the most, she talked about stories of “Forgiveness.” She gave examples of horrific crimes in which the family forgives the criminal, as it frees you and keeps you from being imprisoned by the resentment, pain, and suffering. She has given the example of forgiveness in showing the film “Disturbing the Peace” (2016) at Ebertfest of which I attended the showing in 2018 as it was the first recipient of the Ebert Humanitarian Award. Director Stephen Apkon and co-producer Marcina Hale returned to the festival to discuss how their film has been shown worldwide and embraced by both Israelis and Palestinians.

I spoke about the journaling sections in the book are terrific as well as the exercises to form a plan of action. Chaz appreciated that, as she feels that journaling is a very important tool incorporated into the book. She herself journals and speaks about the benefits.

In closing, I wanted to discuss the main takeaways from the book. Using the elements of FECK Forgiveness, Empathy, Compassion, and Kindness not only leads to our own sense of purpose and happiness but also allows us to have a greater impact on others. I think this concept is simply brilliant, and it is something we all can use in our daily lives as practical steps and warm encouragement on how to make the world more humane and connected.

You can join the “It’s Time to Give a FECK: Elevating Humanity Through the Qualities of Forgiveness, Empathy, Compassion, and Kindness” newsletter at book signings and event are listed.

Order the book here: https://www.simonandschuster.com/books/Its-Time-to-Give-a-FECK/Chaz-Ebert/9781637632475

Sarah Knight Adamson May 2, 2024

The Bikeriders (R) ★★★★

The Bikeriders” has an all-star cast, with Jodi Comer, Austin Butler, Tom Hardy and Michael Shannon. The movie is inspired by a photo book of the same name by Danny Lyon, written in 1968. Jeff Nichols “Loving” (2016) wrote and directed the script. The movie takes place near Chicago and tells the beginning of a group of motorcycle friends who form a gang named the Vandals. Butler is a wild child and has several scrimmages with violence at the start of the film to set up his character. He meets Comer and is smitten. They soon marry, and they navigate their lives according to the road map that bike leader Tom Hardy sets out. The performances are noteworthy, along with the authentic period dialogue that sets the tone.

The film charts the rise and fall over ten years of the Chicago suburb-based Outlaw Motorcycles Club, which ultimately changed from a local riding club to a disturbingly violent gang. The club’s founder and leader, Johnny (Tom Hardy), struggles to enforce the rules he’s making; Benny (Austin Butler) is his captivating but dangerously unpredictable follower; it’s Kathy (Jodie Comer), the wife of Benny, who has the club all figured out—she thinks they’re all idiots. She’s written as a strong-willed character in a yin-yang situation with Benny as he gravitates toward Johnny, somewhat of a father figure. Nichols has said this is not your typical love triangle in which two guys are vying over a girl; he thought it would be interesting for a woman, Kathy, and the club leader, Johnny, to fight over a young man, Benny.

By blending comedy, violence, and moments of tenderness, Nichols crafts a modern gangster story that stands out for its unique perspective-it’s a biker film told from a woman’s point of view. This fresh take is a reason to champion the film, as it allows Kathy to shine as a strong woman and a role model. The screenplay empowers her to stand up for her beliefs, make her own decisions, and solve her own problems, without relying on a male savior.

Looking back from a woman’s point of view and my experiences with motorcycles growing up in Los Angeles, I realize that motorcycles were standard; their presence was like no other on the highways, especially the 405 freeway. My father would remark, “Watch those bikers for me, kids,” as he was always on high alert with his driving when they were close to his family, as the bikers were known to dart in between traffic. As the oldest of five, he usually depended on me as a lookout. Seeing the Hells Angels riding together was an ominous sight to behold, as their ultra-loud sound is both deafening and exciting. What fascinated me were their black leather jackets with their iconic logo, very cool black leather biker hats, and leather side-fringed pants.

Undoubtedly, this is a male-centric story, focusing on a club or brotherhood that prioritizes mutual protection. The women of that era had distinct roles, often riding on the backs of the bikes, preparing meals, and caring for the children. They were not part of the inner circle or decision-making. However, Kathy breaks this mold. She is a strong female character, a beacon of self-sufficiency, and a progressive role model, not in need of a male savior.

During my Zoom interview with Jeff Nichols, I asked him why he wanted to tell this story from a woman’s point of view. He said that the ultimate truth is Kathy is the most interesting person in the book. He fell in love with the way she talked about herself, her relationship with Benny, and her relation to the club, including the biker guys. She was funny but also shockingly honest. There was no filter. It could be who she was then or because she talked into Danny Lyon’s reel to-reel tape recorder. Another reason she’s the perfect person to view this club and these people is that she is both an outsider by the benefit of being a woman and an insider because she is intimately involved in this club. So, with hindsight, only a woman could have this special kind of access.

Comer’s work here is impressive as she’s the one so often with the moral and intellectual upper hand. Nichols said, “That is one of the best parts of that love triangle in that relationship dynamic. This woman is sitting there dealing with these men who can do amazing things and can be incredibly beautiful, attractive, and alluring. Still, they need help to do simple things in terms of understanding themselves or enunciating themselves, particularly when talking about their masculinity.”

I find it fascinating that Nichols has such an astute consciousness of women in his writing. As Johnny, a man of few words, is shown to solve most of his problems with the club through violence or intimidation, he’s totally at a loss for words, shocked that a woman would confront him. It’s both enlightening for women and perceptive to see that women can sometimes cut to the chase despite men’s macho exteriors.

As a female film critic with over 20 years of experience, I always appreciate when filmmakers incorporate more women into a film’s storyline, particularly in a film like this where the male characters dominate. Kathy is a shining example of a strong, positive, independent female character, willing to go the distance for her husband’s well-being and her own safety. Her character represents the untold stories of women in motorcycle clubs across the country, making her role in the film all the more significant.

The full article is posted to RogerEbert.com, where I discuss my interview with Peter Fonda during a fan event for the movie “Easy Rider.”

TheBikeriders_RogerEbert_SKA

 

One Life (PG) ★★★★

“One Life” is a heartwarming film I screened during the Toronto Film Festival; it stars Anthony Hopkins as Nicholas Winton, an English stockbroker in a true story. In 1938 he helped save over 600 children during the holocaust by transporting them mainly by trains from Prague to London to escape death at the hands of the German Nazis.

Sir Anthony Hopkins, as Nicky Winton

The story takes place in two time periods. In 1987, the older Nicholas Winton is looking back on his life to determine if he could have done more to save the children. In 1938, Johnny Flynn plays the younger Winton as a determined person on a mission similar to “Schindler’s List.” The movie is based on the book It’s Not Impossible,” written by Winton’s daughter Barbara.


It begins with Winton in his 80s as he finds papers that tell the story of how he helped save hundreds of children living in the Czech Republic. What makes this story more personal for me is that I have visited there and taken a tour of the concentration camp Terezin, where thousands of Jews were held until they were sent to the death camps of Auschwitz and Treblinka.

Director James Hawes introducing “One Life” at the Toronto Film Festival 2023 Sarah Knight Adamson Photo Credit

The film toggles back to a younger Winton who helps groups of Jewish children in German-occupied Czechoslovakia to hide and flee in 1938–39, just before the beginning of the war. He visited German-occupied Czechoslovakia, saying, “I have seen this for myself, and I can not unsee it.” He began by enlisting the help of his persistent mother, played by the talented Helena Bonham Carter, and other work colleagues, one saying, “Don’t start what you can’t finish.” Ultimately, he saved 669 children; of the 1,500 left, only 200 survived. It’s an unsung hero’s story and dedication to helping children and families.

I loved this movie! Every person in the photo above that is standing was saved by Nicholas Winton. Johnny Flynn did a fantastic job as the younger Nicholas, as did Anthony Hopkins. I strongly advise you to see this gem of a historical movie.

Director: James Hawes
Screenplay writers: Lucinda Coxon, Nick Drake

Cast:
Anthony Hopkins, Nicky Winton
Johnny Flynn, Young Nicky
Helena Bonham Carter, ‘Babi’ Babette / Barbara Winton
Lena Olin, Grete Winton
Romola Garai, Doreen Warriner
Alex Sharp, Trevor Chadwick

Studio: Warner Bros

Sarah Knight Adamson© April 14, 2024

Checkout The Hollywood 360 Podcast: One_Life_H360

 

 

Ghostbusters: Frozen Empire (PG-13) ★★½

It’s been three years since we’ve last seen the Spengler family as they relocated from Oklahoma to New York. They’ve moved into the original Ghostbusters Firehouse, complete with a firepole, ghost-catching equipment, containers, and the iconic Ecto-1. The casually argumentative family dynamic between the Spengler family–mom Callie, Carrie Coon, and teenagers Phoebe, McKenna Grace age 15 and Trevor, Finn Wolfhard, 18 years old, and step-dad Gary Grooberson, Paul Rudd is all in good fun. Highlighting Carrie, the smart, chess-playing, ghostbusting aficionado, the underlying focus of the script is brilliant; I enjoyed her performance immensely. She’s the bright light in the over-stuffed script and ultra-frightening final ghost. Parents, I would take children under 12.

Director Jason Reitman with Mckenna Grace in the new Ecto-1 jumpseat on the set of GHOSTBUSTERS: AFTERLIFE.

“Ghostbusters: Frozen Empire,” brings back the original cast, Ray Stantz, Dan Aykroyd, Peter Venkman, played by Bill Murray, and Janine Melnitz, Annie Potts. Yes, they’re back fighting ghosts. The paranormal research center is overseen by the super-wealthy Winston Zeddemore (Ernie Hudson) and the New York Public Library, where eccentric researcher Dr. Hubert Wartzki, Patton Oswalt, works.

Writers Gil Kenan, who also directed, and Jason Reitman, whose dad Ivan helmed the original film, take us back the nostalgia and an updated approach, bringing in a new threat named Garraka, The ghost-monster is written as an ancient horned demon who, is extremely tall with huge gnarring sharp teeth and long claws. Yes, he is terrifying; thus, the recommendation is not to bring children, as the film is rated PG-13. If the new monster-ghost is unleashed, an icy doom will occur for New York City and the entire world.

Kumail Nanjiani as Nadeem Razmaadi, pick up some of the comedic slack, getting some solid laughs as Nadeem discovers his destiny. While the ghostbusting of the Spengler family is great entertainment, when the Garraka appears, the film becomes serious, with fear-provoking scenes taking on a different tone. The playfulness is over, despite Murry’s wise-cracking. Overall, it’s a good effort, just not as great as the first one in 1984.

Directed by: Gil Kenan

 
Written by: Gil Kenan & Jason Reitman

 
Based on the 1984 film “Ghostbusters,” An Ivan Reitman film written by  

Dan Aykroyd and Harold Ramis

 
Produced by: Ivan Reitman

Jason Reitman

Jason Blumenfeld

 
Executive Producers: Dan Aykroyd

JoAnn Perritano

Amie Karp

Erica Mills

Eric Reich

 
Cast: Paul Rudd

Carrie Coon

Finn Wolfhard

Mckenna Grace

Kumail Nanjiani

Patton Oswalt

Celeste O’Connor

Logan Kim

Dan Aykroyd

Ernie Hudson

Annie Potts

Sarah Knight Adamson© April 6, 2024

Hollywood 360 Radio Network Podcast:

In the Land of Saints and Sinners (R) ★★★½

In the absorbing thriller starring Liam Neeson, director Rob Lorenz accomplished a remarkable feat in his movie “In the Land of Saints and Sinners.” He utilized Neeson’s cadre of noteworthy acting roles to guide his tremendous performance. And, the Oscar-winning Neeson, now in his early 70s, has never been more captivating. We meet ex-assassin Finbar Murphy in the quaint Ireland coastal town of Glencolmcille in 1974 — he’s leading a quiet, peaceful life, tending to his garden, working at his pub, bantering with his neighbors, and enjoying the tranquility of his life. 

His serenity is short-lived as the ruthless IRA terrorist Doireann McCann, Kerry Condon, of “The Banshees of Inisherin” (2022), along with her dim- whit associates, bomb a local pub of which horrifically three children were killed. This shock and awe beginning sets up this excellent film’s tone and the audiences’ expectations for a roller-coaster ride in violence, redemption, and deliberation. 

The press notes for the film stated, “With the feel of a classic Western thriller, it’s the story of a man who must choose between keeping his shameful past a secret or exposing it all to protect his friends and neighbors from the outlaws who’ve descended upon their quiet coastal town. The heroes and villains are complex, layered characters, each adhering to their own personal moral code. 

Director Rob Lorenz ‘Zoom’ interview: https://bit.ly/Saints_Sinners_Rob_Lorenz

Director Rob Lorenz said, “My goal was to embrace that Western spirit while transporting the audience to this special place with a history of harboring fugitives or anyone looking to get lost. From the epic cliffside landscapes as a backdrop to the texture of the period costumes, to the all-Irish cast with their peculiar accents, I aimed to bring as much authenticity and realism as possible and treat audiences to an engrossing and distinctive adventure.” 

Despite the film’s impending violence, I’d be remiss if I didn’t comment on the lovely coastline’s breathtaking scenery. Rob Lorenz told me in our interview this past week that he scouted the location and is pleased that he drove 300 miles north of Dublin’s coast to discover it. 

To avoid divulging too much of the film, as viewing it without knowing what’s happening at every turn is better. I will say there’s a very young girl who is being abused by one of the IRA guys, and Neeson discovers her secret. I’m not even sure that piece was needed in the script, as there are other instances when Neeson makes decisions to make the right choice and to become involved rather than look away. Certainly, anytime a child is being abused, it does force an audience to take notice. His scenes are incredible and authentic, as the resilience of the villagers pushes his character, Finbar, to the brink of moral reckoning. Observing injustices does force him into a no-win situation. He can remain hidden and protect his own peace, thus defeating his longing for redemption, or confront his past, risking everything to defend his newfound community. 

Just know going in, this is a violent film, with people being killed, typically not my favorite genre, although I have seen all of the John Wick films, which are very different in tone, depth, and believability. Here in the beautiful small Irish town, with the IRA bombing their pub, killing children and people, it is genuine. Lorenz does a great job of keeping it real and even adding to the script that perhaps a young man should move to San Francisco, where young people are having a good time. This addition puts his world into a glaring perspective, producing empathy for the character, which is always great to see in a film.

Another of my reasons to view the film is Liam Neeson as I’ve been a huge fan since his Oscar-winning Best Actor Award for the Holocaust film “Schindler’s List” (1993) in a true story portraying Oskar Schindler, a German businessman who becomes an unlikely humanitarian amid the barbaric German Nazi reign. He turned his factory into a refuge for his Jewish employees who would have been sent to Auschwitz death camp. I still remember I saw the film, opening night, his performance was riveting. Here, Neeson is in a similar situation, risking his life and showing empathy for his community, a role he indeed knows well.

Be sure to check out my Zoom video interview on YouTube with director Rob Lorenz as we discuss Liam Neeson’s Irish accent, his collaborations on set, the beautiful location, actress Kerry Condon, his relationship with Clint Eastwood as a former protégé, the topic of redemption for all sinners or not, the layers of the film, his vision, his additions to the script and more.

Director Rob Lorenz Written Interview: https://bit.ly/Written_Interview_Rob_Lorenz

Director Rob Lorenz ‘Zoom’ interview posted to YouTube: https://bit.ly/Saints_Sinners_Rob_Lorenz

Director: Rob Lorenz

Written by: Mark Michael McNally and Terry Loane

Cast: Liam Neeson as Finbar Murphy

Kerry Condon as Doireann McCann

Jack Gleeson as Kevin

Ciaran Hinkds as Vinnie O’Shea

Sarah Greene as Sinéad

Colm Meaney as Robert McQue

Desmond Eastwood as Curtis June

Production Companies: Facing East, RagBag Pictures, Prodigal Films Limited

Sarah Knight Adamson© March 28, 2024

SEE MORE FESTIVALS/EVENTS

Radio Podcasts

Ginny and Georgia Series (MA-TV) Netflix ★★★★

While both “Ginny & Georgia” (2021) and “Gilmore Girls” (2000) focus on a mother-daughter relationship in a small-town setting, they differ significantly in their content. “Ginny & Georgia” is a more mature and complex drama with a darker tone and diverse themes, whereas “Gilmore Girls” is lighter, more comedic, and heartwarming. At times, I wish the Netflix series would adopt a lighter approach, although murder is certainly not an uplifting topic. One thing is clear: “Ginny & Georgia” is not a typical show; it can be quite shocking at times.

In their small town, women are judged based on their economic status, race, class, and social issues—factors that Georgia pays little mind to. She does her best to avoid embarrassing her husband, Mayor Paul Randolph, of the fictional town of Wellsbury. However, Georgia is known to speak her mind, especially when it comes to her children.

Brianne Howey as Georgia, Scott Porter as Paul, Antonia Gentry as Ginny, Diesel La Torraca as Austin in season 2 of ‘Ginny & Georgia’. Credit: Amanda Matlovich/Netflix

The series recently concluded its third season, which consisted of ten episodes. Reflecting on the first season, it addresses mature themes, including Ginny’s struggles with self-harm; she injures herself by burning her skin due to issues of insecurity related to her biracial identity. Her mother is white, and her father is Black, though he is somewhat absent from her life. This mixed-race background leads to challenges in her sense of identity, particularly as she navigates life in a predominantly white town and within a white family.

Ginny’s identity is a significant part of her storyline, and she doesn’t fully fit into either community. For myself, I learned a new term, ‘microaggressions,’ which is the real-life situations that biracial people face, such as being singled out in school or blamed for things her white friends did. In the series, her AP English teacher assumes she can’t keep up with the class and calls her rap poetry “too unconventional.”

Microaggressions are subtle forms of prejudice that can demean or invalidate a person’s group identity, racial heritage, or feelings. They can be verbal or nonverbal and can take the form of off-handed comments, jokes, or body language. One of the great aspects of the show, especially for biracial viewers, is that it can spark conversations about race and identity. Her past moving around so much didn’t help as she didn’t stay in one place long enough to form solid friendships, which created loneliness that can lead to self-harm. She is academically gifted, plays the piano and can speak Korean.

Brianne Howey as Georgia and Antonia Gentry as Ginny Netflix Season 3

Ginny Miller’s younger half-brother is Austin Miller, portrayed by Australian actor Diesel La Torraca. Austin is a shy fourth-grade boy who loves Harry Potter and dreams of magic. He wishes to live a carefree life with his mom and sister. Austin is also fond of living room dance parties and would like to get an acceptance letter from Hogwarts.

Austin’s character was born in 2011 to Georgia Miller and Gil Timmins. However, his father was incarcerated for fraud and embezzlement when Austin was just three years old. Growing up in poverty, Austin faced a challenging childhood, frequently moving and encountering various stepfather figures. His older half-sister, Ginny, sometimes took care of him, even when she was homeless or living without electricity. When Austin was nine, his stepfather, Kenny Drexel, tragically died in a car crash.

The series explores teenage challenges and doesn’t shy away from depicting the struggles of those years. I appreciated the authenticity of the series and how the teens find their own solutions to problems. While it’s tough to navigate high school with everyone whispering about you, it’s ultimately more beneficial to focus on your studies. Ginny goes through some difficult situations, and through her journey, we see that she recovers just fine. On the other hand, Georgia’s past catches up with her as she’s in such an unlawful predicament that her husband, the Mayor, can’t even help her. I enjoyed all three seasons, and I’m looking forward to Season Four, which could premiere this November 2025.

Cast:

  • Brianne Howey as Georgia Miller
  • Antonia Gentry as Virginia ‘Ginny’ Miller
  • Diesel La Torraca as Austin Miller
  • Jennifer Robertson as Ellen Baker
  • Felix Mallard as Marcus Baker
  • Sara Waisglass as Maxine ‘Max’ Baker
  • Scott Porter as Mayor Paul Randolph
  • Raymond Ablack as Joe
  • Katie Douglas as Abby
  • Chelsea Clark as Norah
  • Nathan Mitchell as Zion Miller
  • Zarrin Darnell-Martin as Dr. Lily
  • Agape Mngomezulu as Bryon Bennett
  • Katelyn Wells as Silver
  • Aaron Ashmore as Gil Timmins
  • Vinessa Antoine as Simone
  • Ty Doran as Wolfe
  • Tony Nappo as Josh Finn
  • Mark Rendall as Mr. Kay
  • Matthew MacFadzean as Mr. Foley
  • Noah Lamanna as Tris

Sarah Lampert is the creator and executive producer of the series, which premiered in February 2021

Directors: Sharon Lewis, Anya Adams, Catalina Aguilar Mastretta, Renuka Jeyapalan, Sudz Sutherland, Aleysa Young, Audrey Cummings, Danishka Esterhazy, James Genn, Rose Troche, Darnell Martin, Jasmin Mozaffari, April Mullen, and Elizabeth Allen Rosenbaum

Executive producers: Sarah Lampert, Debra J. Fisher, Jenny Daly, Holly A. Hines, Daniel Iron, Armand Leo, Daniel March, Lance Samuels, Jeff Tahler, and Anya Adams

Co-executive producers: Tawnya Bhattacharya, Elena Blekhter, and Ali Laventhol

Supervising producers: Danielle Hoover and David Monahan

Sarah’s Hollywood 360 Radio Network pod-cast with be posted after this Saturday evening.

Sarah Knight Adamson© June 30, 2025

How to Train Your Dragon (PG) ★★★½

What a great movie for families with a strong message for all, ‘Kindness Wins!’ During the Viking Age, in the opening scene on the Island of Berk, we are introduced to a young teenage boy named Hiccup (Mason Thames), the son of the Viking chief (Gerard Butler). The elders hunt the dragons as they wreak havoc on their village. Teens are taught to kill dragons at the Berk Dragon Training Academy, as young Vikings also learn about dragon training. This academy transitions from focusing on fighting and slaying dragons to training them in film. The main human character is a teenage boy named Hiccup, who is not comfortable killing dragons; in fact, he befriends a dragon named Toothless and hides it from others.

Hiccup (Mason Thames) and Astrid (Nico Parker)  DreamWorks Animation and Marc Platt Productions and distributed by Universal Pictures.

We cringe at times, as Hiccup has a significant burden to carry, being the son of the Viking chief, and he’s uncomfortable with his expected duties. Hiccup Horrendous Haddock III is his full name. His age is 16, and he has become a recluse as he learns blacksmithing from Gobber; thus, tapping into his creative mind, he begins to invent mechanical devices to overcome his physical weakness. Again, this is why the film is so great, as it teaches kids and teens to use their creative abilities to solve problems. We see him construct different saddle designs as well as devices such as wings for the dragons to fly faster and into the narrow surroundings.

Viking chief (Gerard Butler) DreamWorks Animation and Marc Platt Productions and distributed by Universal Pictures.

I’ve always been a fan of strong female characters, and Astrid is a competitive, tough, and outspoken character who is extremely loyal to her cause and those she cares about. She’s described as quick-thinking, intelligent, and resourceful, and she values skill, strategy, and precision. A natural leader and strategist, and is second in command at the Berk Dragon Academy. She’s a talented dragon trainer whose expertise is in the Deadly Nadders variety. She’s considered the best warrior in her class. Here, she wears French braids and colorful clothes. She is Hiccup’s love interest and cares about him deeply; she listens to him, although at times, she shakes her head at his unorthodox methods.

DreamWorks Animation and Marc Platt Productions and distributed by Universal Pictures.

On a side note, if any of you are interested in the time period in which the Viking Age occurred, here are some facts. The Viking Age is generally considered to have lasted from 793 to 1066 CE. It began with the attack on the Lindisfarne monastery in 793 and effectively ended with the Battle of Stamford Bridge in 1066, which resulted in the death of the Norwegian king Harald Hardrada, often regarded as the last prominent Viking leader. This period is characterized by Scandinavian seafarers raiding, trading, and settling in various parts of Europe. I’ll be visiting Scandinavia in three weeks and plan to visit the Viking Ship Museum in Oslo, Norway. Stay tuned for updates.

I can’t rave about this movie enough, as it’s great for so many reasons. The storylines are strong, showing creativity, resourcefulness, and leadership. Both Mason Thames and Gerard Butler are great in their roles. I loved the line that’s said to Hiccup: “It’s not what you think you look like on the outside, it’s what’s inside. So stop trying to be someone you’re not.

Additionally, the movie’s scenery is gorgeous, thanks to the very detailed set designs. The flying scenes, featuring people and dragons, are breathtaking and very realistic; you can almost feel the wind blowing on your face. It’s a feel-good, heartfelt movie that’s wonderful for the entire family.

Hollywood 360 Podcast will post after this Saturday evening… Stay Tuned!

Sarah Knight Adamson© June 15, 2025

Lilo & Stitch (PG) ★★★★

Have your kids ever struggled with finding a best friend? In the heartwarming live-action remake of “Lilo & Stitch,” we learn how a young girl’s dreams come true when she sees an alien friend named Stitch. The movie is the live-action remake of the 2002 carton version created by Disney animator Chris Sanders. Here’s the very cool part: Sanders is the voice of Stitch! He made a gamble at the time with a budget of 80 million, and the 2002 movie went on to make over $273.1 million worldwide. Due to the success of the movie, three sequel films were produced, as well as several television series, books, and toys.

Stitch 2002 created by Chris Sanders @Disney Chris Sanders

The live-action rendition of “Lilo & Stitch” is a faithful remake of the 2002 film, with only a few minor additions. For those new to the character of Stitch, he’s an alien created illegally through a genetic experiment. He escapes the Galactic Federation and crashes on Earth; Stitch wakes up in a dog rescue center. The main problem with adopting Stitch and bringing him into a family is that he was designed to be mischievous, and his primary function is to destroy everything he touches. He is bulletproof, fireproof, shockproof, and can think faster than a supercomputer.

Walt Disney, Lilo & Stitch 2002 @Chris Sanders

At the center, Stitch convinces six-year-old Lilo Pelekai (Maia Kealoha) to adopt and bring him home. Stitch and Lilo have a great time getting to know each other. Although his pranks are harmless, they don’t look like great parenting for Lilo’s older sister, Nani (Sydney Elizabeth Agudong), as she may lose her guardianship as she’s being monitored. Also, there’s the threat of Agent Pleakley (Billy Magnussen) and Stitch’s creator, Dr. Jumba Jookiba (Zach Galifianakis), who have traveled from space to retrieve him.

Lilo (Maia Kealoha) in Disney’s live-action LILO & STITCH. Photo by Matt Kennedy. © 2025 Disney Enterprises Inc. All Rights Reserved.

First and foremost, Hawaii is the perfect setting for “Lilo & Stitch,” as the swaying palm trees, beautiful beaches, and surfing are all delightful to view. The story is poignant as well as the sisters have lost their parents and are living on their own, with Nani trying to make money so they can survive. A great quote in the film is when Stitch says after living with the girls awhile: “This is my family. I found it all on my own. It’s little, and broken, but still good. Yeah, still good.” Both girls are great in their roles; Lilo has a vast amount of emotions to play, from total exaltation to extreme sadness. Nani plays concerned and worried, as well as shocked and awed by Stitches’ antics she observes.

(L-R) Maia Kealoha as Lilo and Sydney Agudong as Nani in Disney’s live-action LILO & STITCH. Photo by Matt Kennedy. © 2025 Disney Enterprises Inc. All Rights Reserved.

This enjoyable, fast-paced, family-friendly gem is for all to enjoy; that probably explains why the girls seated next to me were in their early 20s.’

 

(L-R) Maia Kealoha as Lilo, Stitch and Sydney Agudong as Nani in Disney’s live-action LILO & STITCH. Photo courtesy of Disney. © 2025 Disney Enterprises Inc. All Rights Reserved.

Click on the link for my Hollywood 360 Radio Podcast of “Lilo & Stitch”:hollywood360radio.com/lilo-stitch 

@Sarah Knight Adamson June 13, 2025 Lilo&StitchSBP

 

 

SEE MORE PODCASTS