Seth Rogen’s “The Studio” offers a richly layered insider’s perspective on the intricate world of Hollywood filmmaking while showcasing exceptional comedic talent. Without a doubt, this 10-episode series streaming on Apple TV is the funniest show I have ever encountered. One of its standout features is the surprising inclusion of renowned film directors who typically remain behind the scenes. The series kicks off with a captivating opening scene in Episode 1, where the legendary Martin Scorsese passionately articulates his film’s artistic vision to studio executive Matt Remick, portrayed by Rogen, who has recently taken the helm at Continental Studios. Almost immediately, Matt finds himself in an existential quandary as he struggles with the artistic aspirations of supporting auteur-driven projects while navigating the studio’s primary focus on unearthing the next billion-dollar intellectual property.
Pulling back the shimmering curtains of Tinseltown offers viewers a delightful satirical glimpse into the elite world of Hollywood, blending entertainment with keen insights. The creators, who are true cinephiles, embrace their deep-seated love for the industry, even as they critique it with sharp humor. Rogen’s unique brand of sarcastic charm amplifies the comedy, making each moment truly hysterical. Every episode typically revolves around a fresh crisis for Matt to tackle—be it the high-stakes pressures of a CinemaCon presentation or the chaotic search for a missing film reel—each leading to a series of uproarious challenges. What truly captivates me is witnessing the wild yet insightful creative ideas flowing from filmmakers and studio executives and how they adeptly maneuver through the madness.
The supporting characters who orbit around Matt are consistently in his face, making their desires and ambitions abundantly clear. The eccentric Sal Saperstein (Ike Barinholtz), who is locked in a friendly competition for the studio head role; Quinn Hackett (Chase Sui Wonders), the young, ambitious assistant Matt has elevated to his former position; and Maya Mason (Kathryn Hahn), the outspoken head of marketing, all bring 100 percent commitment to their performances and occasionally overshadow Rogen’s lead. As previously mentioned, the series cleverly incorporates real Hollywood actors and directors, including icons like Ron Howard, Sarah Polley, Charlize Theron, Anthony Mackie, Paul Dano, Greta Lee, Zac Efron, Ice Cube, Dave Franco, Adam Scott, and Zoë Kravitz, who play various amusing roles. Adding a humorous familial touch, the ever-comedic Rhea Perlman shines as Matt’s mother.
I found the varied camera movements and shots in the series to be exceptionally engaging. The long, sweeping tracking shots, bolstered by an eclectic mix of drum beats, expertly set the stage for the impending crises. These visual cues effectively immerse viewers into the characters’ high-pressure situations, generating both excitement and delightful anticipation. The show’s crowning achievement lies in the clever casting of beloved actors in uproarious scenarios. In a surprise twist, Olivia Wilde makes a memorable cameo, delivering the sharp line to Matt: “Fine is not good enough.”
As a devoted fan of comedy, I have a deep appreciation for great acting, a witty script, and precise direction. Both Seth and his childhood friend Evan Goldberg, a talented duo, wrote and directed the series. They’ve previously collaborated on beloved films like “Superbad,” “Pineapple Express,” “This Is the End,” “The Interview,” “Sausage Party,” “Good Boys,” and “Teenage Mutant Ninja Turtles: Mutant Mayhem.” I particularly enjoyed the close-up and personal backstage antics during a live Golden Globe event, where Matt is humorously fixated on securing a mention in a thank-you speech.
On a personal note, I was fortunate enough to meet Seth last October while relaxing in the lobby of the W Hollywood hotel. When I mentioned my role as a film and TV critic, he graciously asked if he could join me. During our conversation, I inquired about his experience working with Barbara Streisand on their road trip movie “The Gilt Trip” (2012), and he fondly shared that it was a fantastic experience. He also mentioned he was taking a break from filming the series “Platonic,” with Rose Byrne, which is what brought him to the hotel that day.
“The Series” opens March 26, 2025 Apple TV
Sarah Knight Adamson© March 25, 2025